2 Fast 2 Furious In this Universal Studios sequel, Brian O’Conner (Paul Walker) is an ex-cop who was kicked off the force for ruining one of the FBI’s biggest investigations — allowing the leader of a big-rig hijacking operation to go free. Now he has a chance to redeem himself. Federal agents in Miami have been unable to nail Carter Verone (Cole Hauser) who is using his import/export business to cover an international money-laundering ring. The only thing that customs can get on Verone is his tie with illegal street racing. The Feds want to get him for something that will keep him locked up for a long time so they approach O’Conner for help. They want him to go undercover as a “fast driver” employed by Verone, who happens to be looking to hire a couple drivers. O’Conner agrees to help the Feds but with certain conditions: he wants to choose his own partner and he wants his badge restored. The partner he chooses is his childhood friend, Roman (Tyrese), who has had some past run-ins with the law, serious enough to send him to prison. Roman agrees to help his friend as long as his police and prison record are wiped clean. Their assignment is to bring down Verone. They think the job might be fairly easy until they realize just how ruthless Verone can be and until they meet Monica (Eva Mendes), another undercover cop who is “bedding” Verone. They aren’t sure whether she is really doing her duties as a cop or has joined forces with the enemy. Rated PG-13

8 Mile Eminem plays Jimmy (Rabbit) Smith, a trailer-park punk who works in a machine shop to save enough money to make a demo record. We first find Jimmy backstage at hip hop club, The Shelter, throwing up at the prospect of a 'battle,' where two rappers challenge each other until one is approved by audience applause to move to the next round. Jimmy's just broken up with Janeanne (Taryn Manning) and is living out of a trash bag stashed behind a dumpster. Jimmy has no choice but to crash with his mom, who is the very definition of trailer trash. Sexy but battered and worn, the jobless Stephanie (Kim Basinger) lives in the 8 Mile mobile home court with her young daughter, Lily (Chloe Greenfield), and is hanging on to a relationship with her condescending boyfriend, Greg (Michael Shannon), in the belief that the large insurance settlement he's due to receive will change her life. Rated R

15 Minutes Pop Artist Andy Warhol is credited with predicting a future where everyone gets 15 minutes of fame. Robert DeNiro and Edward Burns star in this action thriller about two east Europeans trying to make their 15 minutes pay off. DeNiro is police detective Eddie Flemming, who teams with fire marshall Jordy Warsaw, played by Burns, when the suspects start a fire to cover their murderous tracks. But one of the criminals has a camera and Kelsey Grammar, as tabloid reporter Robert Hawkins, is willing to pay them for an exclusive. An action packed story filled with explosive fires, gunfights and chases, the film also makes not-so-subtle social comments about the sometimes questionable actions of journalistic media to satisfy viewers’ morbid and voyeuristic curiosity. Vicious stabbings, a broken neck, bloody and charred bodies along with graphic shootings are often replayed on video. One scene with a prostitute features nudity and, as with many action films, the dialogue is bluer than the police uniforms. Graphic violence, nudity, and seventy-one obscenities help 15 Minutes earn a severely objectionable rating.Rated R

28 Days Sandra Bullock stars in this realistic look into the life and rehabilitation of an alcoholic party girl. Gwen Cummings, a successful New York writer lives life in the fast lane, moving from one dance club and bar to the next with her boyfriend. But drunken behavior and a stolen limo earn Gwen 28 days of court appointed rehabilitation. With the help of understanding counselors and a group of unique fellow rehabbers, Gwen begins the struggle to reclaim control. This humorous but realistic look at the effects of drugs, particularly alcohol, on both users and those around them should draw healthy audiences. In keeping with the theme of drug abuse and recovery, many scenes of alcohol abuse and drunken behavior cross the screen, but drug use is not condoned. Gwen comes to realize the affects her drinking has had on people and her life as the clinic patients form a bond of friendship and support one another. Unfortunately, some scenes and conversations are strongly sexually suggestive, including a scene of brief gratuitous nudity. One patient is a male stripper and homosexual tendencies are inferred but no overt scenes are shown. Gutter language is used moderately, but profanities turn up frequently. Despite the strong messages about needing help and communication to repair the destructive affects of drug abuse, sexual content and foul language earn 28 Days a moderately objectionable rating. Rated PG-13

102 Dalmations Glenn Close reprises her role as Cruella DeVil in this sequel to the 1996 hit. Dipstick, one of the original 101 Dalmatian puppies, now has 3 puppies of his own. And after three years of behavior conditioning, Cruella has become dog's best friend. She's released on good behavior, but her parole officer, Alice Evans as Chloe Simons, doesn't think she's changed her spots. Of course, Chloe also owns Dipstick. Indicating her change, Cruella saves the financially strapped 2nd Chance dog shelter run by Kevin, played by Ioan Gruffudd. Among Kevin's mutt menagerie is Mr. Waddlesworth, a demented parrot that thinks it's a dog. When Cruella's conditioning reverses, she's out to complete her Dalmatian coat, and include Chloe's puppies. But Oddball, one of the puppies, is still spotless and rejected as coat material. So it's up to her, with the help of Mr. Waddlesworth, to save her siblings. A treat for the whole family, 102 Dalmations is sure to be a howling success. Although Chloe is attracted to Kevin, there's no sexual content. But Waddleworth does make a comment about Oddball wearing a sweater with no pants. Since the action is live rather than cartoon, very young children may not understand that some of the slapstick violence could be severely injurious. They may also be disturbed at some danger threats to the puppies. But with parental assurance, 102 Dalmations can be a fun outing for the family. Rated G

A

A.I. Haley Joel Osment stars in this futuristic Pinnocchio fable as David, the first robot child to be given emotions. Set in a future time when robots have replaced many professions, dwindling resources dictate fewer people and lower birth rates. Professor Hobby, an inventor played by William Hurt, wants to fill couples’ desires for children by providing a robotic child capable of ‘love.’ Frances O’Connor and Sam Robards play Monica and Henry whose real son, Martin, lies in frozen suspension until his fatal disease can be cured. They become the perfect candidates to test David. But when Martin returns to the family, jealousy and fear force Monica to abandon David. One of the last stories Monica reads to the boys is Pinocchio. A robot toy bear named Teddy plays Jiminy Cricket to David’s Pinocchio as he begins a search for the Blue Fairy to change him to a real boy that Monica could love. Heartstrings are occasionally tugged by David’s desire to be loved, and Jude Law provides a comic turn as a robot gigolo who helps David in his search. The story propagates the disturbing idea that human emotions and even the soul are nothing more than electronic pulses on a microchip.Sexual escapades, suggestive remarks, plus two strong profanities may spice up the story for adults, but A. I. misses the mark by leaving God out of both creation and love. Rated PG-13

A Man Apart In this action thriller, Sean Vetter (Vin Diesel) and best friend Demetrius Hicks (Larenz Tate) are undercover Drug Enforcement Administration officers, fighting the war against drugs. Growing up on the streets of Los Angeles, the two were gang members headed towards death or incarceration. They both decide to make a change and live under the law as productive citizens. They are able to bring down the head of one of the biggest drug cartels in Mexico. As a result, the drug dealers want revenge, so they attempt to take Sean out but end up hurting him far worse. Sean responds to this attempt on his life, and his desire for justice is now personal. The film has some positive themes like loyalty, but it also has a darker side with unclothed women and graphic violence. Lots of people are killed, and there’s a good bit of blood and guts. Be a man or woman apart from this one, and view a more constructive film. Rated R

About A Boy Hugh Grant stars as Will Freeman, who's been fairly successful in avoiding attachments. As a wealthy, 38-year-old-bachelor in London, he’s happy having lots of girl friends. But he’s always on the prowl for more conquests. To meet more women, Will invents an imaginary son and joins SPAT, Single Parents Alone Together. Before long, he’s involved with Suzie (Victoria Smurfit) and her friend Fiona (Toni Collette). Fiona has a 12-year-old son, Marcus (Nicholas Hoult), who really wants a dad. To Will’s dismay, Marcus adopts Will as his fathe-figure and pesters him until they become friends. As Will is drawn into Fiona’s circle of family and friends, he’s amazed by his enjoyment of involvement and begins to see some meaningful purpose in his life. Will’s antics and dating maneuverings are hilarious and the film has plenty of clever dialogue. About A Boy will appeal to those looking for light entertainment and laughs. The story’s portrayal of the joy found in friends, family and responsibility is somewhat marred by obscene and profane language, as well as much sexually suggestive humor and dialogue. Although Will’s promiscuous lifestyle is portrayed humorously, it’s eventually shown to be shallow and unfulfilling. Because of his relationship with Marcus, Will matures a great deal and realizes he wants to make some positive changes in his life. No actual sex scenes or nudity are shown, but vulgar language taints the film. Overall, an enjoyable flick. Rated PG-13

About Schmidt In this dark comedy-drama, 65-year-old insurance executive Warren Schmidt (Jack Nicholson) begins to ponder the meaninglessness of his life. When his wife of 42 years unexpectedly dies, Warren is undone. Determined to make a difference in someone’s life, he sponsors a six-year-old African orphan by sending him $22 each month. Warren writes the boy long, detailed letters about his innermost thoughts. He takes a road trip to visit his cold, indifferent daughter Jeannie (Hope Davis) and his devastated by her intention to marry Randall (Dermot Mulroney), a boring waterbed salesman. His anxiety escalates when he meets her raunchy, future mother-in-law Roberta (Kathy Bates). Roberta shocks Warren with her steady stream of obscenities and profanities, her talk of an energetic sex drive and her seductive ways. The film offers inspiration to make a difference in someone’s life, but it drags and earns a negative rating because of its profanity, obscenities and nudity. Rated R

Alex & Emma This light-hearted, romantic comedy is loosely based on Dostoyevsky’s short story “The Gambler.” Author Alex Sheldon (Luke Wilson) is pressured to finish his second novel by his publisher (Rob Reiner, also the director) and a couple of Cuban loan sharks who have given him a month to pay his debt. After the tough guys destroy his laptop computer, Alex has to dictate the book and hires stenographer Emma Dinsmore (Kate Hudson). Alex dictates a 1920s love story, intertwining made-up places and people with his real-life. Truth becomes stranger than fiction as the characters in his novel fall in and out of love while Alex and Emma do the same. The action shifts from the novel, with characters also played by Wilson and Hudson, to real life. The film has negative elements — some violence, implied sex, profanity and crude language — to preclude a positive rating. Rated PG-13

Ali Will Smith, certainly delivering the performance of his career, plays the flamboyant and opinionated boxer Mohammad Ali in this exciting bio-drama. The film covers a decade of his life beginning with Ali’s rise to the heavyweight crown by beating reigning champion Sonny Liston. The film then follows Ali through various dealings with the government and the nation of Islam, a controversial group at times, of which he is a prominent member. Ali becomes interested in the Nation of Islam before he takes the heavyweight title from Liston. Early on, one of his closest friends and advisers is the militant Malcom X. Director Michael Mann portrays Ali with the eye of an admiring observer, although he appears to give a fair presentation with the inclusion of flaws, particularly concerning Ali’s relationships with women. The best scenes occur when Ali is in front of news cameras, spouting off his characteristic rhymes and insults to other boxers. Smith’s background as a rap artist helps his portrayal especially comes alive at these moments. The movie’s foul language is relatively light for an R-rated film, but it does include a few obscenities, and God’s name taken in vain once. One graphic sex scene is shown with Ali and his future wife, (played by Smith’s wife Jada Pinkett) although no nudity is revealed. Foul language and a graphic sex scene taint the film but won’t keep moviegoers away from the much-talked about Ali. Rated R

All The Pretty Horses Matt Damon and Penelope Cruz are the draw for this romantic adventure set in 1949 Mexico. Damon is John Grady Cole, who travels from Texas to Mexico with his friend Lacey, portrayed by Henry Thomas, after his mother decides to sell the family's west Texas ranch. The cowboys' journey takes them to one of the largest ranches in all of Mexico, owned by Ruben Blades as Don Hector Rocha. But John Grady is attracted to Don Hector's beautiful daughter, Alejandra, played by Cruz. But an earlier incident comes back to haunt the Texas boys and make their stay not so friendly. All the Pretty Horses features some beautiful cinematography of the expansive West Texas prairie and rugged mountains of Mexico, but the story seems disjointed and pointless which could shorten the box office run. In their journey, John Grady and Lacey hold several discussions about God, heaven, and hell. While this somewhat spiritual theme appears to tie the ends of the film together, its connection to the story is difficult to understand. A sexual relation is implied with Alejandra and side breast nudity occurs in a few scenes. Foul language is the biggest offender as the cowboys' conversation often includes obscenities, strong profanities, and crudities. Rough language, sexual content, and a brutally violent scene make All the Pretty Horses an mostly objectionable ride. Rated PG-13

Along Came A Spider Morgan Freeman repeats his role as Washington D.C. psychologist/detective and author, Dr. Alex Cross from 1997's Kiss the Girls. in this 'prequel' to that story, Cross retires after the violent death of his partner in a botched undercover operation. But when the 12-year-old daughter of a senator is kidnapped from an exclusive school, the kidnapper taunts Cross out of retirement. Monica Potter plays the school's security director, Secret Service agent Jezzie Flannigan. Disgraced by the kidnapping, Jezzie joins Cross in the search. But the kidnapper seems to stay one step ahead as he seeks a place in the history books, just like the kidnappers of Charles Lindbergh’s infant, and time is running short as he plays cat-and-mouse with Cross. There are a few violent deaths and, in one scene, gunshot threats to a young girl, but most of the film follows Cross as he threads together clues.Dr. Cross sets an excellent example for viewers as he respects others, including his opponent and never raises his voice or uses obscenities. Unfortunately, the same cannot be said for a few other characters. Offensive language and a few overly graphic wounds serve as the biggest objections in Along Came A Spider. Rated R

Almost Famous Patrick Fugit plays 15-year-old William Miller, rock-and-roll fan and aspiring journalist, who gets an invitation to travel with a fledgling rock band lead by Billy Crudup as Russell Hammond. Russell sees William's assignment from his high school newspaper as a chance for much needed good publicity. For three months he travels on the band's bus on their "Almost Famous '73" tour. Baby boomers and teenagers will relate to this funny, poignant story of learning to let go, surviving first love and realizing very little's changed since the ‘70s. William loves his mom, but is embarrassed by her daily phone calls reminding him not to do drugs and alcohol. However, drugs, alcohol and sexual acts are every-day occurrences for the musicians and their traveling companions. When the “band-aids,” rock groupies traveling with the band, decide William is ready to be initiated, scantily clad girls strip him down to his underwear. And a "band-aid" named Penny, played by Kate Hudson, carries on an adulterous affair with Russell, until she's traded during a poker game. Almost Famous does not glamorize the musician’s immoral lifestyle and William’s genuine caring, honesty and innocence ultimately impacts their lives. But the depiction of drug use, sexual content and numerous obscenities earn a moderately objectionable rating. Rated R

An American Rhapsody When Peter (Tony Goldwyn) and Margit (Nastassja Kinski) decide to take their family out of Communist Hungary, they are forced to have their young baby daughter carried across the border separately. While they make it to freedom, their young daughter does not. However, they know she is safe and, eventually, find out she has been placed in the care of a peasant couple. The foster couple cares for her deeply but her parents, after five years oftrying, are finally able to get a visa for Suzanne to visit America, where Peter and Margit settled. All seems well, except that young Suzanne really has no interest in living with a family that is now strange to her. She wants to return to the only home she has ever known. Fast-forward ten years, and Suzanne (Scarlett Johansson) is still struggling to fit in. Now a teenager, she will soon be forced to come to terms with who she is and where she belongs. An American Rhapsody tells a compelling and moving story, and while the ending stumbles a bit, audiences will still be drawn to this interesting family adjustment. With little objectionable content to speak of, this movie is sure to be a crowd pleaser.Rated PG-13.

Ananlyze That In this sequel comedy, New York mob boss Paul Vitti (Robert De Niro) is imprisoned in Sing Sing, where he fluctuates from a nearly catatonic state to singing songs. His former psychotherapist, Dr. Ben Sobel (Billy Crystal), arrives to examine Vitti and determine if he’s faking his condition in an attempt to escape. Vitti is released from prison on the condition that Sobel maintains custody of him. Sobel attempts to help Vitti with his mental state so that he can get a legitimate job outside of the mob, but Sobel’s patience is tested when Vitti continues to hang around his mob friends. This film is even more vulgar than the original, Analyze This (1999). Much of the humor is cruel and demeaning and draws little laughter from viewers. The plot of Analyze That is entertaining, but it receives a negative rating because of the sexual content, violence and continuous bad language. Rated R

The Amati Girls When the storms of life blow in, family can help you hold on. Mercedes Ruehl plays Grace, the oldest sister in this Italian-American family. Although her marriage to Joe, played by Paul Sorvino, is less than ideal, Grace remains deeply commited to her husband. Much to the dismay of her sisters. Sean Young is Christine, who struggles with ending her marriage to workaholic husband Paul, portrayed by Jamey Sheridan. And Dinah Manoff as sister Denise doesn't want to make the mistakes she sees in her sisters' marriages. So she shuns marriage, disappointing her boyfriend played by Mark Harmon. Youngest sister Delores, played by Lily Knight, is mentally-challenged due to an accident, but she'd like nothing more than to have a boyfriend. But their relationships will all be challenged by the events ahead. Will their Catholic faith and family be enough to get them through? Although it seems occasionally stilted, many will enjoy this decent, touching drama for adults. With a message about trusting God, encouraging family and a father's place in his daughter's life, Amati Girls avoids graphic violence, explicit sex and obcene language. A mild and comical sexual situation and a bit of crude language earn the PG rating. But The Amati Girls can be recommended for an entertaining and heartwarming visit. Rated PG

American Outlaws WB ventures into the myth and legends of the Old West with this fun and action-packed adventure. Colin Ferrell and Scott Caan play cousins Jesse James and Cole Younger who return to the family farms after the Civil War. Jesse reconnects with childhood sweetheart Zee Mims (Ali Larter) but when a corrupt railroad baron tires to steal the farms for right of way, Jesse and his brother Frank (Gabriel Macht) join their Younger cousins to fight a new war. But the charismatic Jesse also wins public support by redistributing the stolen railroad money for churches and schools in the community. Timothy Dalton plays Allan Pinkerton who's hired by the railroad to capture or kill Jesse. Plenty of typical western gun battles fill the screen along frequent crude words in the dialogue. While the violence is not overly graphic or gory, it occurs in long frequent bursts. Kathy Bates plays Ma James as a religious minded woman, asking her boys about prayers and Christian behavior but also endorses killing 'yankees' and railroad men. Comments are made about Cole’s sexual escapades, but Jesse and his childhood sweetheart Zee (Ali Larter) comment about waiting until after marriage ‘for some things. Nevertheless, Outliaws leaves a lot to be desired. Rated PG-13

American Pie 2 The sequel to 1999's high school teen sexual romp follows the friends as they graduate to first-year college and a summer of further discovery. Having been apart for the first year of college, the friends re-assemble by renting a summer lake cottage together. Jason Biggs leads the returning cast as Jason, who violated an apple pie and lost his virginity in the original. He faces new embarrassments such as his parents walking into his dorm room as he gets a sexual good-bye from a co-ed. Eugene Levy, as Jim's dad, later visits the ER when Jim mistakes superglue for hand lotion and gets stuck with an awkward attachment. Once again, the producers continue the idea that sex is the only thought in a teenager's head and, unfortunately, many will buy into the idea. Along with scenes with incessant sexual comments and images,guys, watch gals indulge in lesbian fantasies, kiss when told they must copy or stop watching. Filled with disgusting tastes, crude humor, language and sexual content, American Pie 2, like the original, should be skipped altogether, in the theatre and at the rental store. Rated R.

America’s Sweethearts Billy Crystal co-writes, produces and stars as Hollywood press agent Lee Philips in this behind-the-scenes comedy about life and love among film stars. John Cusack and Catherine Zeta-Jones are Eddie Thomas and Gwen Harrison, America's sweethearts on film, but estranged husband and wife off-screen. Eddie's been in rehab for depression since Gwen took up with Hector (Hank Azaria), a Spanish actor from their last project. Julia Roberts is Kiki Harrison, Gwen's sister and personal assistant who helps Lee get the two together for a special press screening of their latest film. But the one-time ugly duck of a sister is now a swan and thinks the princess may not deserve the prince. And Lee has to keep the duo looking happy for the studio and the press until reclusive director Hal Weidmann (Christopher Walken) shows up with the as-yet-unseen film. Aside from crude bathroom humor and a dialogue overflowing with obscenities and profanities, America’s Sweethearts deteriorates after the first fifteen minutes, leaving a lot to be desired. What could have been a light romantic comedy treats adultery lightly and degrades itself with heavy sexual humor. Save your money. Rated PG-13

Angel Eyes Jennifer Lopez stars as Chicago police officer Sharon Pogue. Jim Caviezel plays the mysterious stranger, Catch, who saves her life. Catch wanders the streets doing good deeds for people but as Sharon tries to discover more about Catch’s past, he avoids her questions. Sharon is also avoiding her past as she grapples with an invitation to attend her parents' 30th anniversary renewal of wedding vows. Both must come to grips with past events that threaten their future together. Fans may initially fill the theaters, but many will be disappointed at the predictable plot and slow pace. The central themes of coming to grips with past events and seeking forgiveness provides a strong redemption message to the film. However, the film is filled with obscenities and crude language as both criminals and cops spout profanity and make numerous crude sexual remarks. One graphic sex act, although without explicit nudity, follows a scene of Sharon and Catch swimming in their underwear. Angel Eyes should cause parents to be concerned. Rated R

Agent Cody Banks The mission of teenage CIA agent Cody Banks (Frankie Muniz), in this comedy/action film, is to become the boyfriend of fellow teen Natalie Connors (Hilary Duff). But he becomes tongue-tied and klutzy whenever he tries to talk to girls. Natalie’s father is a scientist who has created nanobots, organisms that can consume anything, and plans to use them for cleaning up oil spills. But his employer, Dr. Brinkman (Ian McShane), wants to use the technology for evil. In order to discover Dr. Brinkman’s plans, Cody must get close to Natalie. Under the watchful eye of his "handler" Ronica Miles (Angie Harmon), Cody begins his covert operations but must wrestle with his sense of duty and his feelings for Natalie as she is swept into a dangerous predicament. Agent Cody Banks is a funny film with a few vulgarities and profanities, some moderate violence and a good bit of sensual content. Rated PG

Anti-Trust Ryan Phillipe plays a young computer genius who matches wits with Tim Robbins as the billionaire head of a computer software company in this cat and "mouse" mystery thriller. When Milo (Phillippe) creates a new information compression program to speed up Internet transfers, he's asked by Gary Winston (Robbins)to join his team at NURV. While Milo can't resist the flattery, he soon learns that Gary's genius involves stealing other programmers' ideas and eliminating the programmer. But everyone around Milo, including the Justice Department and girlfriend Alice, played by Claire Forlani, seem to be on Gary's payroll. Milo plans to stop Gary's new program from taking over world communication systems, but finding help he can trust is the real challenge. Computer enthusiasts looking for laughs and fans of the stars may enjoy this suspenseful tale, but classic Hitchcock it's not. While the dialogue is filled with catchy phrases and computer jargon, several obscenities and crude terms show smart people can cuss too. And Milo is shown in bed with Alice a couple of times, and they share a house, implying pre-marital sex and cohabitation are acceptable. Aside from the poor plot, vulgar language and wrong sexual messages make Antitrust quite objectionable.Rated PG-13

The Art of War Wesley Snipes, Anne Archer, Donald Sutherland and Marie Matiko star in this action mystery about deception and politics in the United Nations. Sutherland plays the Secretary General who's helping negotiate an important trade negotiation involving China. Eleanor Hooks, played by Archer, is his Chief of Security who often uses a covert operations team headed by Snipes as Neil Shaw. Shaw and his team use extortion, blackmail and even assassination, if needed, to prod negotiations in the right direction. But when the Chinese ambassador is shot and Shaw framed for the kill, it takes all his skill and some help from Matiko, as a UN translator, to get out of the frame and find the artist. With a number of exciting stunts and graphic violence, the film fills the bill for action. But it also includes a gratuitous scene with female nudity and a brief glimpse of a pornographic video. Numerous vulgar words pepper the dialogue and along with gratuitous nudity and gruesome violence, earn The Art of War a very objectionable rating. Rated R

Atlantis: The Lost Empire Michael J. Fox provides the voice of Milo Thatch in this animated adventure as spectacular animation and story telling bring the mythical lost civilization to life. Milo has mastered ancient dialects and studied the history of Atlantis in an effort to carry on his late grandfather’s dream of finding the fabled empire. Billionaire Preston Whitmore, an old friend of his grandfather’s voiced by John Mahoney of TV’s Frasier, outfits him with a talented team of specialists.Along the way, they run into a submarine crushing, mechanical monster, but eventually discover the lost city. And what they find surprises and amazes them all. Geared more for ages 10 and up, Atlantislooks to be a winner. While Milo exhibits many positive qualities, the Atlanteans are portrayed as a more advanced, New Age kind of society. They have harnessed a power source in the form of a living, conscious crystal, also called their deity. Crystal pieces worn by Atlanteans help it thrive on the emotions of Atlanteans living and dead. While New Age philosophies are prominent mainly in the Atlantean culture, their portrayal as a superior knowledge could mislead impressionable viewers.Rated PG

Autumn in New York Richard Gere is Will Keane, a womanizing restaurant owner who can't commit to one woman, until he meets Charlotte Fielding, played by Winona Ryder. When he's about to give his heart away, she tells him about a life-threatening defect in hers. With her unpredictable and life-affirming reactions, Will finds himself falling in love for the first time. Although she's less than half his age, they find a lifetime of love can be too short. Romantic fans of Love Story and Terms of Endearment will enjoy this predictable but teary-eyed tale. Unfortunately, while Will's womanizing ways are mostly talked about, they are not totally frowned upon as numerous women still want to meet him. And one woman wants to connect with a father she only knows by name. Will and Charlotte's premarital sexual relationship is apparently condoned if not endorsed, although the relationship is implied by showing the couple in bed. Vulgar language mars the dialogue with several obscenities. Rated PG-13

B

Bad Company In this odd couple, action comedy, Anthony Hopkins plays CIA agent Gaylord Oakes. Oakes is teamed with Kevin Pope (Chris Rock) to buy a nuclear device from a renegade Russian. But when Pope is killed in the middle of negotiations, Oakes has only nine days to pull off a miracle. He must turn Kevin’s street-hustling twin brother Jake Hayes (Rock) into a cultured, CIA undercover agent. At first, it’s the lure of the money that convinces Jake to work with Oakes, but when his girlfriend is kidnapped and bullets are flying, it’s a whole new matter for Jake. Hopkins and Rock make a classy team sharing humor, heavy action and tense moments with a nuclear bomb. Typical of action film, violence is plentiful with numerous shootouts, fights and chases. However, most of the shootings and fights avoid graphic wounds. When Jake returns to his hotel room, the silhouette of his brother’s girlfriend is seen in his shower. One scene shows the woman with her foot caressing Jake’s crotch. Although premarital sexual relations are implied, none are shown. Despite being raised in two different cultures, Jake and Kevin seem to share moral values about "doing the right thing." Jake even honors his foster mother and seeks her help in troubled times. However, the positive messages are often lost in the frequent gunfire and vulgar language. Rated PG-13

Bandits Womanizer Joe (Bruce Willis) and health nut Terry (Billy Bob Thornton) team up after their prison break to rob banks on the west coast. Known as the ‘sleep-over bandits,’ they hold bank presidents and their families hostage overnight in their homes before heading to the bank for cash. All goes well until they meet Kate (Cate Blanchett), a fiery red-head running away from a disastrous marriage. She joins the bank robbers and soon both men have fallen for her. Laughs are non-stop as the three become increasingly creative, charm their victims and ultimately outsmart the law. The two crooks steal vehicles by politely enticing young women to hand over car keys. Their first night out is spent in a home where they interrupt a teenage couple obviously having sex. Joe and Terry make sure the young couple behaves and talk to them like uncles. However, Joe and Kate become sexually involved quickly, with one scene of them in bed together. Later she and Terry also start an affair. Several strong profanities and a few obscenities foul the dialogue. No serious injuries result from the action and gunfire eruptions, but property damage is quite extensive. Bandits glamorizes crime and disappoints with foul language and immoral behavior, but what can be expected from bank robbers? Rated PG-13

Barbershop Rapper turned film producer, Ice Cube, stars as Calvin in this entertaining look at an urban slice of tradition. Like the general store of times past, the neighborhood barbershop is a gathering place not only to get a haircut, but also engage in friendly debate about social views, trade gossip and maybe make new friends. Calvin is a third generation barber, running the family shop handed down from his grandfather. But pressures from creditors and a desire to provide a better life for his wife and child on the way, force Calvin to think about selling the shop to a shady businessman. But after money changes hands, Calvin has second thoughts and has to figure out how to get the shop back. Cedric the Entertainer plays Eddie, the elder barber in the shop who offers words of wisdom with a lot of attitude. Surprisingly tradition minded, this comedy points viewers in a positive direction. Although they joke about his lack of activity, the young barbers treat Eddie with respect and gather attentively when he shows the proper technique in shaving a customer. When Calvin comments about his father dying broke, Eddie reminds him of his father’s legacy of helping people and that his riches didn’t come from money. Even the local convenience store owner helps Calvin learn about the influence of small actions. Unfortunately, this urban tale with a moral comes with an abundance of crude language and suggestive comments. Rated PG-13

Basic In this dramatic thriller, a training exercise in a Panama jungle involving six Army Ranger cadets and brutal Sergeant Nathan West (Samuel L. Jackson) goes bad. Two survivors emerge with guns blazing. Tom Hardy (John Travolta), a rogue DEA agent and former Ranger, is called in to find some answers. Hardy questions the two remaining Rangers with the help of the reluctant official Army investigator, Lt. Julia Osborne (Connie Nielsen). Hardy and Osborne try to reconstruct the events in the jungle and discover who is to blame. But through the process, they uncover dark secrets and a web of deception and corruption that veil the truth. Basic may find favor with young men, but its relentless rough language and profanity and its recurring violence make it unacceptable viewing. Rated R

The Basket Peter Coyote and Karen Allen lead the stars in this family friendly film from North by Northwest Enterainment. Martin Conlon, played by Coyote, the new teacher for the one-room school in the farming community of Waterville, Washington, introduces two new concepts to the students and the town, opera and basketball. He uses a German opera called ‘The Basket’ to teach about war’s effects and teamwork. German war orphans, Brigitta and Helmut Brink,played by newcomers Amber Willenborg and Robert Karl Burke, are taken in by the doctor and pastor for the community. But it’s 1918 and America is still at war with Germany. Nicholas, played by Jock MacDonald, and his wife, Bessie, played by Allen lose a son to the war, which colors Nicholas’s and one of his other son's view of the German children. Five hundred dollars is the down payment on a new harvesting machine for the community and the prize money for beating a professional basketball team in Spokane. Can Conlon teach the farm boys to play as a team and win the prize money? This compelling story will intrigue and inspire audiences. The outstanding film blends historical events with lessons about prejudice, forgiveness and teamwork. Because of the war with Germany, many in the community express distrust for the orphans. Several mild crudities occur and gambling on the basketball game is shown in a positive light, but with few questionable elements, The Basket is heartily recommended viewing. Rated PG

Battlefield Earth John Travolta plays Terl, cruel Security Chief of the Psychlos in this sci-fi adventure. The year is 3,000 A.D. and civilization on Earth has been largely annihilated by a cruel, but technically advanced, race of aliens known as Psychlos. But a primitive band of humans have survived, including Jonnie Goodboy Tyler, played by Barry Pepper. With other humans, he is captured and forced into slave labor but he outwits Terl and along with the other captives makes a break for freedom. The plot is rather predictable and some of the events far fetched, but the special effects are phenomenal. However, the action and excitement will likely attract older teens and young adults. The film features almost constant violent events for entertainment, including fierce hand and aerial battles, vicious treatment and killing of slaves, massive destruction of buildings and weapons, and gruesome events such as the eating of live rats. At the same time, the courageous struggle of men to overcome their evil masters and live in freedom is inspiring. Foul language is limited, but still contains a number of mild crudities as well as several obscenities. Because violence in the film is excessive and exploited to entertain, Battlefield Earth earns a slightly objectionable rating. Rated PG-13

A Beautiful Mind This true story stars Russell Crowe as mathematical genius John F. Nash, Jr. who becomes a Nobel Laureate in 1994, for his game theory developed at Princeton University in the late 1940s. Eccentric John refuses to attend class, scribbles complex mathematical formulas on the library window panes and is a social oddball. Then he meets Alicia (Jennifer Connelly), a beautiful, intelligent young woman completely charmed by John's bumbling ways. When Dr. Nash has a mental breakdown in the 1950s, it almost destroys the brilliant professor's marriage and career. Directed by Ron Howard, A Beautiful Mind tells a story of courage, love and strength as John, with Alicia's help, learns to distinguish reality from illusion. Mature audiences will find A Beautiful Mind absorbing and thought provoking. While hospitalized, John cuts his wrist to remove an imagined government-implanted sensor and undergoes graphic shock treatments. Alicia bravely chooses to care for her paranoid-schizophrenic husband rather than have him re-committed. During his Princeton days John approaches a girl in the bar and, lacking any social skills, bluntly suggests they have sex. And there is a subtle suggestion that he and Alicia have sex before marriage. A few strong profanities and several obscenities slightly mar the film. Otherwise, this is sure to be a crowd-pleaser.Rated PG-13

Beautiful Noted actress Sally Field makes her director’s debut in this jaundiced look at the world of beauty pageants, through the eyes of one veteran competitor. Minnie Driver plays Mona, who’s been entering, and losing, pageants all over the state of Illinois. She dreams about winning the state title and competing for the national title of Miss American Miss. Joey Lauren Adams plays Mona’s best friend, Ruby. Together, they design costumes, plan dance routines, and work to improve overall performance. Mona still feels forced to underhanded tactics to even get a chance at winning. With Ruby’s help, though, she wins the state pageant and sets her sights toward the national competition. What begins as a sweet story of childhood friendship and achievement quickly deteriorates into a clichéd and scattered mess. The first fifteen minutes of the story is by far the most engaging and the most uplifting as Mona, the victim of a tough childhood, bonds with fellow outcast Ruby, and the two share a special friendship bolstered by the kindness of Ruby’s grandmother. But Mona inexplicably becomes a selfish backstabber, even willing to walk all over her best friend. A few scenes take place backstage at the pageants as contestants change clothes and we see women in various stages of undress. One scene shows a woman holding and covering her bare breasts as she tries to fit into an outfit. A competitor promoting sexual abstinence sends mixed messages as she acts provocatively. And several obscenities and regular profanities pepper the dialogue. Unfortunately, this ugly bit of language and scenes with near nudity tarnish Beautiful and earn a more than slightly objectionable rating. Rated PG-13

Bedazzled A contemporary of Shakespeare wrote a play about a man who sold his soul to the devil. In 1967, a British comedy team made a humorous version of that tale and called it Bedazzled, which has now been remade with Brendan Fraser as the hapless Elliot Richards. Elliot adores attractive co-worker Alison Gardner, played by Frances O’Connor, and when he says he’d give anything to have her in his life, The Devil, played by Elizabeth Hurley, takes him up on the offer. In exchange for his soul, The Devil offers Elliot seven wishes and even coaches him on how and what to wish for. Elliot tries being rich and powerful, emotionally sensitive, a famous sports figure, an intellectual giant with manhood to match and even U.S. President. Each time, Elliot finds a problem with his wish. But no one’s ever accused the devil of being fair. With only one wish left, Elliot has to find a loophole in the contract or lose his soul. Fraser and Hurley prove temptation can be sinfully funny in this comedy that strives more for laughs than theology. Elliot admits that he sold his soul and got nothing for it. Although obscenities and profanities are few, much of the language is sexually oriented, including slang and a few anatomical terms. While making some good theological points, explicit sexual content darkens Bedazzled and earns a quite objectionable rating. Rated PG-13

Behind Enemy Lines Navy Lt. Chris Burnett (Owen Wilson) chafes for a real combat mission, which is prevented by the international political climate in Bosnia. Admiral Reigart (Gene Hackman), a hard-nosed, by-the-book commander, thinks Burnett hasn’t learned what it means to be a soldier under authority. Flying a routine reconnaissance mission, Burnett photographs a Serbian action not meant to be seen, which gets him shot down behind enemy lines. NATO authorities veto a rescue because it might disrupt a fragile political peace. To save his downed officer, Reigert must bend the rules, disobey his superiors and risk his career. As Burnett dodges relentless pursuit by ruthless Serbs, Reigart launches an unauthorized rescue mission. Audiences will cheer the heroic spirit of the U.S. military represented in this film. However, graphic violence includes execution of Burnett’s co-pilot and many civilians. Scenes of rotting corpses in a mass burial are not for the faint at heart and obscenities and strong profanity flood the dialogue. But the gung ho, can-do attitude of the rescue team members, who volunteer to risk their lives to save one man, is inspiring. Even though the foul language, violence, and gore occur in a military context, they may be too much for teenage audiences to stomach. Rated PG-13.

Biker Boyz Set in California’s underground world of motorcycle street racing, this drama depicts the maturation of 18-year old motorcyclist, Kid (Derek Luke). Following his father's (Eriq LaSalle) tragic death, Kid vows to become like Smoke (Laurence Fishburne), the "King of Cali." But to achieve his goal, Kid must accomplish the impossible by outracing him. He recruits a band of up-and-comers, the Biker Boyz, and begins to alienate his mother (Vanessa Bell Calloway) as he develops bitterness and pride. Kid and Smoke both learn some lessons as they move toward their final challenge against each other. The unfortunate reality of Biker Boyz is poor acting, thin characters and a yawn-worthy plot. The film includes rough language and presents a neutral attitude toward promiscuous and premarital sex. Biker Boyz strikes out in both entertainment value and acceptability. Rated PG-13

The Big Kahuna Kevin Spacey, Danny DeVito and Peter Facinelli are three salesmen from the same company, meeting at a Witchita hotel for a convention in this adaptation of a stage play. They are there to make their sales pitch to a number of different companies in the market for industrial lubricants. Larry, played by Spacey, is most excited about the prospect of “reeling in the Big Kahuna”, a phrase they use to describe getting a big contract for their company. The three spend the rest of the afternoon and night discussing any number of issues, ranging from the meaning of life, to the place of religion in business. All three actors turn in fine performances, but Devito’s understated performance as Phil, the older, wiser and more reflective salesman is the highlight. While the plot is rather predictable, the dialogue is smart and interaction between these very different men is a thought-provoking and enjoyable experience. Each salesman represents a different stage of life and looks at the world differently, so each individual brings distinct issues to the forefront of their conversations. Bob, played by Facinelli, the youngest of the three, is newly married and a born-again Christian. His faith impacts his entire life and his portrayal is one of the more realistic of a Christian on the big screen in recent memory. Unfortunately, foul language is excessive and earns The Big Kahuna a more than moderately objectionable rating. Rated R

Big Momma’s House Martin Lawrence, Nia Long and Paul Giamatti star in this comedy romance set in the heart of southern hospitality. Lawrence plays Malcolm, an FBI agent known for his ability with makeup. With his partner John, played by Giamatti, Malcolm is assigned to watch the house of Hattie Mae Pearce, known as Big Momma, waiting for her graddaughter, Sherry, played by Long, to show up. Sherry's one-time boyfriend robbed a bank but the money was never found. And now he's escaped and the FBI thinks Sherry may lead them to both. However, Big Momma leaves suddenly and it's up to Malcolm to fill her very large shoes until Sherry confesses or gets caught. But things get more complicated when Malcolm starts falling for Sherry. There's plenty to laugh about as Malcolm/Big Momma shows some surprising moves for such a large, older woman. And the crowds will no doubt turn out for the popular stars. Unfortunately, the film also uses crude humor about flatulence, sexual activity and vulgar language to bring in laughs. One scene shows female rear nudity as Big Momma gets ready to shower where Malcolm is hiding. During a storm, Sherry gets in bed with Malcolm as Big Momma which leads to a sexual joke about a flashlight. And one of Big Momma's suitors is shown in bed with one of her neighbors. Some people may also be offended by the comical portrayal of a gospel church service. Rated PG-13

Big Trouble Sidelined by social sensitivities after September 11, this off-beat comedy stars Tim Allen as Eliot Arnold, a divorced, former newspaper columnist. When his son Matt (Ben Foster) attempts a prank on schoolmate Jenny (Zooey Deschanel), he inadvertently foils a mob hit on her father (Stanley Tucci). Her father’s illegal activities include the purchase of a stolen nuclear bomb. A possible romance between Matt and Jenny, as well as Eliot and Jenny’s mom (Rene Russo) gets sidetracked when they all become involved in a mad race to retrieve the stolen bomb. FBI agents, small-time thugs, local police, and mob hit men provide plenty of comical obstacles. This unlikely story has far too many, outrageous coincidences, which make Big Trouble little fun, but young adults may latch onto this slapstick adaptation of humorist Dave Barry’s novel. Aside from a prayerful Hispanic housemaid who beats off the advances of her sleazy, adulterous boss and a hippie, “Jesus look-alike” who quotes Genesis, there are few redeeming elements in this film. Three different characters show no qualms about adultery. The dialogue is filled with sexually suggestive comments and a wide variety of vulgar terms. Violence, while not too graphic or gory, occurs frequently. Brief male rear nudity is seen, along with several exposures of women in skimpy attire. Rated PG-13

Billy Elliot Eleven year-old Billy Elliot, played by Jamie Bell, is not the typical young boy in his town. While most boys enjoy football, wrestling and, most of all, boxing, Billy isn’t very good at or interested in any of them. But when he catches a glimpse of Mrs. Wilkinson’s, played by Julie Walters, ballet class, he decides to try it out. After coming to grips with the fact that boys can do ballet too, Billy throws himself into it. However, when Billy’s gruff father, played by Gary Lewis, finds out about his son’s passion, Billy’s dancing future looks doubtful. Audiences can easily fall in love with this sweet, endearing movie and the fantastic performance from young Bell. Most of the hard-working people in Billy’s little town think any boy wanting to pursue the perceived less-than-manly art of dance, must be a homosexual. So Billy tries to keep his passion a secret, especially from his father. It’s too bad that such a delightful movie uses so much foul language. Sadly, Billy Elliot rates a very obectionable acceptability, primarily for numerous obscenities. Rated R

Black Hawk Down This action/war drama, based on a best-selling book, shows in stark reality the tragedy that can happen when the U.S. military is thrust into an ill-conceived police action in a foreign land. When Maj. Gen. William Garrison (Sam Shepard) orders his elite force of 120 American Delta units and Ranger infantry to drop into Mogadishu, Somalia to abduct two of a Somalian warlord’s top lieutenants, he thinks it will only take an hour. But the one-hour October 3rd, 1993 operation stretches into fifteen, resulting in 18 Americans dead, 73 wounded, and the deaths of hundreds of Somalians. The mission, commanded by Capt. Mike Steele (Jason Isaacs), sees two UH-60 ‘Black Hawk’ helicopters shot down by mobs of armed gunmen, who engage the Americans in a prolonged and vicious firefight. The heroic efforts by various rangers to rescue the helicopter crews, center around a unit commanded by Sgt. Matt Eversmann (Josh Hartnett) which is pinned down for a time by street fighting. Those who didn’t see enough bloody combat in Saving Private Ryan should enjoy this one. Ridley Scott, director of Gladiator, fills the screen at least ninety percent of the time with violent and sometimes bloody battle scenes. Legs and arms go flying and a bloody leg wound gushes up close and personal. While viewers can be proud of the training and dedication shown by the American soldier, graphic violence, frequent obscenities and strong profanities fail to lift Black Hawk Down.Rated R

Black Knight Comedian Martin Lawrence stars as Jamal Walker in this humorous adventure film that could be retitled “California Black Man in King Arthur’s Court.” Working at a failing medieval-themed amusement park, Jamal is looking out for himself and planning a step up to the new ‘Castle World.’ But when he falls into the moat while reaching for a necklace in the water, Jamal ‘Sky’ Walker finds himself in a real medieval world. Jamal just wants to get along and survive, until he meets Victoria (Marsha Thomason), an attractive chambermaid. With the help of Victoria and Sir Knolte (Tom Wilkinson), a fallen knight, Jamal learns about honor and helping others. Crowds will really enjoy this mix of humor, slapstick, adventure and personal discovery. Unfortunately, the film includes numerous sexually crude comments and suggestive scenes. The king offers Jamal any woman he wants, except the princess. But the princess climbs into his bed. Violence gets graphically medieval on occasion, such as a beheading where Jamal catches the head, later seen stuck on a spear. With obscenities for excrement throughout, one scene even shows a man’s face pushed into a pile of horse dung. Explicit sexual content, graphic violence and obscenity-laden dialogue dethrone the good messages of Black Knight. Rated PG-13.

Blade II Wesley Snipes returns as the half-human, half-vampire Marvel comic book hero. Kris Kristofferson is also back as his mentor Whistler. Both are really surprised when the vampire nation sends Nyssa (Leonor Varela) with an offer of truce. They want his help because a new breed of bloodsuckers, called ‘Reapers’ is attacking vampires and, as Whistler says, that’s worse than the “Daywalker,” the vampire name for Blade. But there’s more to the problem than meets the eye or neck. Fans of the comic may enjoy this bloodfest, but most may find the gore more than they want to see. Blade II creates a posterchild for exploitation of violence from the opening scene as Blade chases and dispatches a trio of bloodeaters. Vampire bodies explode, burst into flames and turn to ash throughout the film. And throughout the film, blood flows freely. Special effects take gruesomeness to new depths as bodies are sliced in half, with internal organs revealed. The reapers have a mouth that lets the jaw split and swing open to reveal a multi-forked tongue that bears a strong Alien look. And mixed into this gorefest are almost forty obscenities and a few strong profanities. This flick only makes the cut for gruesomness. Rated R

Blair Witch 2 After the stunning success of the original, it’s no surprise to see a sequel to 1999’s big profit maker, The Blair Witch Project. This time, once more supposedly based on a true story, four college students and their tour guide, Jeff, played by Jeffrey Donovan, hike into the Burkettville woods. They're investigating a house where children were murdered in the 1940s. But they wake up in the morning with equipment broken and notes destroyed. However, the videotapes survive and the students piece together the actions of five hours they can't remember from the night before. There are some clever references to the original film, but number 2 lacks any truly scary moments. Much was made of the occultic elements in the first film; however, witchcraft seems much more prominent in this sequel. Foul language heavily pollutes the dialogue. Other elements include graphic violence, near full nudity and disturbing sexual actions. It's no surprise that, Blair Witch 2 gets an extremely objectionable rating. Rated R

Bless the Child Kim Basinger and Jimmy Smits star in this mystery thriller about a Satanic cult looking for a special child. Basinger plays Maggie, a nurse whose drug addicted sister leaves her baby in Maggie's care. Six years later, Maggie thinks of Cody, played by newcomer Holliston Coleman, as her own. But her sister returns with a new husband who also heads a New Age drug rehab program. The husband seems to have an agenda of his own in kidnapping Cody. Smits plays FBI agent Travis whose searching for the killer of several children, all with the same birthday as Cody. So he's interested when Maggie reports Cody's kidnapping. But all is not what it seems as Maggie tries to get Cody back. A suspenseful tale of supernatural spirits and good versus evil, Bless the Child may carry too much religious weight for some. Like a Frank Peretti novel, the film gives glimpses into the good and evil spirits guiding and working in this world. Biblical and spirtual references occur throughout the film. Unfortunately, the film uses several obscenities and some scenes of gruesome violence, including a decapitated head falling from a body. The strong religious message should encourage Christians and present opportunities for discussion. Rated R

Bones Twenty years ago, Jimmy Bones (Snoop Doggy Dogg) mysteriously disappeared and since, according to legend, has been haunting his former abode. This legend becomes reality when four young people decide to open a nightclub in Jimmy’s old house. Soon enough, they have the place up and running, but as they occupy the house, Jimmy’s spirit becomes stronger. Eventually, Jimmy seeks revenge and strikes back – first at the nightclub owners, then at those responsible for his death and disappearance. While the film has an interesting premise and a feel that hearkens back to the ‘blaxploitation’ films of the seventies, it really relies on tired plot tricks and excessive gore that is more laughable than scary. Excessive foul language and gore are the main ‘sticking’ points. The violent content stands out though, with more blood-and-guts scenes than the director seems to know what to do with. Unlucky victims are impaled, beheaded, mauled by a ravenous dog, and bludgeoned to death. That said, the gutter language, gory violence, and some female breast nudity should keep Bones buried.Rated R

Bounce Top salesman for an L.A advertising agency, Buddy Amaral (Ben Affleck) seems to lead a charmed life. Confident and good looking, Buddy oozes charm as he picks up clients and women. But when he's stranded in Chicago's airport by a snowstorm, his life takes a dramatic turn. Buddy gives up his seat on a flight to a man trying to get home for Christmas with his family. But the next morning, Buddy learns the plane crashed. When Buddy, trying to do the right thing, seeks out the man's wife (Gwyneth Paltrow), he finds himself falling in love and can't bring himself to tell her the truth. A charming love story with enough humor to lighten a tragic situation, women and couples looking for a good date movie, will particularly enjoy Bounce. At an awards banquet, a drunk Buddy paints an ugly picture of how destructive alcohol abuse can be. But Buddy cannot stay on the Christian-based AA program because he rejects God. Two scenes with implied sex contrast the change in Buddy. In the first, he sees strictly a one-night stand, but the latter is a result of love. However, the film implies sex outside of marriage is acceptable. Gratuitous foul language, including 10 obscenities and five regular profanities, further sullies the film. Bounce goes out of bounds with a moderately objectionable rating. Rated PG-13

The Bourne Identity Matt Damon stars in this action film version of Robert Ludlum's novel about a government assassin with amnesia. Pulled from the Mediterranean Sea by a French fishing boat, the man with bullet wounds in his back remembers nothing of his past. But a Swiss bank account number leads him to numerous passports from which he takes the identity of Jason Bourne. Searching for his true identity, Jason discovers he has some deadly talents. But others just want Jason dead. However, hitching a ride to Paris with Marie (Franka Potente) makes her a target as well. Can he keep them both alive until he knows who he really is? Damon adequately fills the confused, action hero role and some climactic stunts are surprising, but fans of the novel seeking more mystery may be disappointed. An early scene of surgery at sea, as a bullet is pulled from Jason’s back, may cause wincing. And one fight gets gruesomely brutal as a pen is stabbed into a man’s hand, and just as graphically pulled out. A kiss leads to taking off Jason’ shirt, but further activity is thankfully left to the imagination. Moviegoers must contend with numerous obscenities, some in German, and a string of strong profanity from Jason’s boss. Frequent and sometimes graphic violence, along with tasteless vocabulary is less than thrilling in The Bourne Identity. Rated PG-13

Bridget Jones’s Diary Helen Fieldings popular novel is brought to the screen starring Renee Zellweger. Thirty-something and single,Bridget Jones makes a New Year’s resolution to take control of her life. In order to mark her progress, she keeps a diary, which ends up recording the most outrageous year of her life. Although searching for her perfect man, the choices seem limited to her chauvinistic boss, played by Hugh Grant, or her mother's dull lawyer friend portrayed by Colin Firth. Fans of the BBC production of Jane Austen's 'Pride and Prejudice' will see numerous plot similarities. With slapstick action and comical encounters, Bridget Jones’s Diary looks like a real crowd pleaser. However, in spite of its many laughs, the film is filled with vulgar jokes and crude comments. Offensive dialogue spills out of nearly every character, with the primary offender being Bridget’s boss. One graphic sex scene briefly shows a nude couple on the floor and premarital sex is implied a few times as acceptable behavior. Crude sexual content and the prominence of foul language should cause parents concern.Rated R

Bring It On Kirsten Dunst stars in this comedy that enlightens the uninitiated on the very core of high school society - the competitive world of cheerleading. As the new captain of the high school cheering squad, Dunst as Torrance, discovers their championship routines were stolen from a rival school. So now they have to come up with a completely original program to defend their title at the upcoming national competition. Bring It On’s many exciting cheerleading performances combine gymnastics with clever dance steps to enthrall the expected teen audience. Unlike many teenage films portraying cheerleaders as egotistical and shallow, these high school students work hard and learn that competing fairly is more important than winning. But their wholesome, clean-cut appearance fades, with an expansive gutter vocabulary. The girls use very suggestive moves in their routines and Torrance is jokingly accused of having "cheer sex" when she flirts during a cheering session. Rated PG-13

Bringing Down The House Peter Sanderson (Steve Martin) loses his wife and children (Kimberly J. Brown and Angus T. Jones) because of his workaholism. He meets a lady who goes by "lawyergirl" (Queen Latifah) in a legal chat room and, thinking she is an attractive blond lawyer, invites her to his house for a drink. Once this larger-than-life, African-American convict arrives, he can’t get rid of her. Peter, who lives in a white, upper-class neighborhood, agrees to help her with her legal difficulties and tries to keep her hidden from his bigoted, nosey neighbors. While he tries to balance his work and family, Lawyergirl keeps showing up at inopportune moments to offer advice on child rearing, dancing and sex. Peter eventually realizes his obsession with work has cost him his family. Sexual situations, crude language and racist humor earn Bringing Down the House a negative acceptability rating. Rated PG-13

Bruce Almighty When local TV news reporter Bruce Nolan (Jim Carrey) loses his job in this comedy, he becomes so angry with God that he mocks Him and dares God to “smite” him. His girlfriend Grace (Jennifer Aniston) tries to get Bruce to see that everything happens for a reason. Bruce gets a cell phone call and is instructed to go to the Omni Presents building, where he meets the janitor (Morgan Freeman), who turns out to be God. God offers Bruce the chance take on His job and see if he can do it better than the Almighty. Bruce accepts the offer and uses his divine power for his own gain, but bad things happen when Bruce can’t handle God’s job. “Bruce Almighty” is a funny and entertaining film, but it lacks taste and has several negative elements. Rated PG-13

Bubble Boy Born without an immune system, Jimmy (Jake Gyllenhaal) lives his entire life in a special plastic tent inside his Palmdale, California room. Chloe (Marley Shelton), the girl next door, befriends Jimmy and shares many of his likes. When Chloe announces she getting married in Niagara Falls, Jimmy must find a way to cross the country without getting out of his plastic-sealed world. He creates a mobile suit that looks like a clear beach ball and sets out for New York. Along the way he encounters a philosophical biker, a Hindu ice cream and curry salesman, circus freaks who look at him as family and cult members who see the ‘bubble boy’ as a messiah. But to show his love for Chloe, can Jimmy risk getting out of his bubble? The film has drawn criticism from the Immune Deficiency Foundation and the family of a real boy in a bubble. But the story has other problems including crude language and sexual comments along with an obvious male arousal. Caricatured as an overzealous Christian, Jimmy’s mother (Swoosie Kurtz) thinks of the world as filthy and evil, and refers to Chloe as ‘not the kind of friend Jesus would pick.’ Jimmy also tells his Hindu friend his religion is lies, according to the mother. Even for a spoof, Bubble Boy has too many offensive holes. Rated PG-13.

Bulletproof Monk In this kung-fu action film, a Tibetan Buddhist monk (Chow Yun-Fat) has guarded a scroll containing the secret of ultimate power for 60 years. Armed with super-human reflexes, masterful kung fu and a propensity for defying gravity, the bulletproof monk now seeks a replacement for himself. When he discovers Kar (Seann William Scott), a deadbeat pickpocket and self-trained street fighter, the monk begins to wonder if he may have found a worthy trainee. The monk befriends him, watching to see if he fulfills prophecies as they join forces to battle the dark powers who pursue the secrets of the scroll. The film has some entertainment to offer to martial-arts fans, but espouses a Buddhist worldview, offensive language and violence. Rated PG-13

C

Captain Corelli’s Mandolin Nicolas Cage and Penelope Cruz star in this tale of love blossoming between enemies on an occupied Greek island during World War II. The remote, beautiful Greek island of Cephallonia has been untouched by World War II untiloccupied by Italian soldiers led by fun-loving, mandolin player Captain Corelli (Cage). Immediately he eyes the beautiful Pelagia (Cruz), who lives with her father, Dr. Iannis (John Hurt), but learns she is engaged to Mandras (Christian Bale), a local fisherman. Mandras goes off to war, promising Pelagia they will marry when he returns. Surprisingly, uneducated, unsophisticated Mandras matures into a forgiving, caring young man who saves the life of the man who steals his true love’s heart. Dr. Iannis understands his daughter’s turmoil of whether to honor her commitment or follow her heart. The fun-loving Italian soldiers cavort on the beach with bare-breasted “party girls” while the townspeople look on disapprovingly. One brief sex scene includes fleeting breast nudity. Germans double cross their Italian allies with brutal, bloody machine gun slaughters. The body of a Greek girl hung for betraying her countrymen is also gruesome. Aside from three profanities expressed in a comical scene, Captain Corell’s Mandolin has minimal foul language. Rated R

Cast Away Tom Hanks stars as Chuck Noland, a systems analyst for FedEx, Chuck’s life is ruled by the clock and his pager. At a moment’s notice, he jumps a plane to follow packages around the world, making sure their delivery is on time and figuring how to get them there faster. His fiancee, Kelly, played by Helen Hunt, waits patiently for his return to Memphis. But on a routine Christmas flight, Chuck’s flight across the Pacific Ocean changes course to avoid a storm and a mysterious explosion on board sends the plane crashing into the sea. The sole survivor of the accident, Chuck lands on a deserted island where time stands still as he deals with the basic needs of survival. Four years pass before he escapes, but four years can hold many changes. Chuck survives the physical challenges of island isolation, but can he survive the emotional challenges of being found? Audiences should enjoy this story about the human will to survive. Hanks turns in another strong performance in this largely one-man show. Although God is never mentioned, except in one frustrating moment when used in vain, Chuck draws spiritual strength from a package painted with angel wings. Thinking Chuck died, Kelly married. Although she’s prepared to leave her family when Chuck returns, he upholds Kelly’s commitment as wife and mother. Using God’s name in vain once and a couple of obscenities, while understandable in the circumstances, detract from this otherwise enjoyable film for older teens and adults. Rated PG-13

The Cat’s Meow Edward Herrmann noted for his portrayal of FDR in past productions, takes on the role of the original media mogul, William Randolh Hearst. In 1924, a mysterious death occurred aboard Hearst's private yacht. Hearst would frequently entertain actors, directors, studio heads, newspaper columnists, famous writers and people from his many newspaper affiliates, during weekend cruises along the California coast. Kirsten Dunst plays noted silent screen star Marion Davies, who carried on a long time affair with the married Hearst. Womanizing actor-director Charlie Chaplin (Eddie Izzard), rumored to also have a relationship with Marion, tries to convince Hearst she belongs in comedy films. Invited to celebrate his birthday, visionary producer and studio head Tom Ince (Cary Elwes) hopes a Hearst partnership will help his failing career. Trying to endear himself to Hearst, Ince supplies possible evidence of Chaplin’s rumored affair with Davies, driving the jealous Hearst to drastic action. Fans of Hollywood’s silent film era will enjoy the period detail and talented performances. The film reflects, as one character puts it, the California Curse where all traces of morality vanish. Adulterous affairs, some overheard graphically, alcohol and marijuana use, manipulation of the truth, cover-ups and lies fill this historical legend. Although no nudity is seen, a naked woman opens the door to greet her lover and suggestive innuendoes are scattered through the conversations. The dialogue is also filled with frequent crude language and numerous profanities. Although a fascinating portrayal of rumored events, The Cat’s Meow, 1920’s slang for a purr-fect event, exhibits alley cat morals. Rated PG-13

Catch Me If You Can This Steven Spielberg crime comedy is based on the story of the true Frank Abagnale Jr., one of America’s most famous con artists. Sixteen-year-old Frank Abagnale Jr. (Leonardo DiCaprio) uses forgery and false identities — from a substitute French teacher to an emergency-room physician — to amass a fortune, attempting to regain his family’s financial status and bring his parents back together. Flying around the country as a fake airline copilot, Frank is tracked by no-nonsense FBI agent Carl Hanratty (Tom Hanks) in a chase that lasts for years. Frank falls in love with Brenda (Amy Adams) and dupes her father (Martin Sheen) in the process. Frank’s final phony occupation puts a strange twist on the story. The film treats Frank’s crimes as admirable, but it also shows that an individual’s behavior has consequences and that a depraved individual is capable of heart change. Catch Me If You Can is funny and entertaining, but it has implied sexual content and some profanity. Rated PG-13

Cats & Dogs In this humorous, family-oriented film, Jeff Goldblum plays Professor Brody who’s working on a cure for those allergic to dogs. But the Brody dog is apparently cat-napped on the orders of Mr. Tinkles, an evil cat voiced by Sean Hayes of TV’s Will and Grace. Although he’s the pampered pet of a dying millionaire, Tinkles is actually planning world domination. Only dogs stand in his way and Brody’s formula will give them a bigger edge unless Tinkles can steal it and reverse the effect, making people more allergic to dogs. The dogs assign their top Doberman puppy agents to replace the Brody’s missing pet, but Mrs. Brody picks up an untrained Beagle puppy named Lou. It looks like Mr. Tinkles might succeed, but Lou, voiced by Tobey McGuire, gets some on-the-job training from veteran dog agent Butch, voiced by Alec Baldwin. However, things turn catastrophic when Mr. Tinkles kidnaps the Brody family.Hilarious slapstick encounters between Russian cat agents, Siamese Ninja cats and the final showdown between Lou and Mr. Tinkles remind viewers of James Bond films or a comical Mission Impossible. A few scenes show dogs watering fire hydrants or smelling one another. And one cat frames Lou by dropping dog do on the floor. Young children may be upset at the implied death of a dog but, overall, this flick can be a fun outing for ages 6 and up.Rated PG

The Cell Jennifer Lopez, Vince Vaughn and Vincent D'Onofrio form an unusual triangle in this fantasy thriller. Lopez plays Dr. Catherine Deane, a phychiatrist experimenting with an device that lets a person get inside another's head, literally. Vaughn is FBI agent Novack who's trying to find the next victim of a serial killer. But D'Onofrio as Stargherm the serial killer, is in a coma. Deane must enter the demented mind of Stargher to locate the last kidnapped child before an automated torture chamber claims another victim. Artistically shot and with an incredible music score, The Cell is a treat for fans of cinematic beauty. However, the dark subject matter, a proliferation of sickening images and some awkward dialogue, may draw limited crowds. Because of an obsession with dolls, many characters in Stargher’s mind look like living dolls, some dressed and some not. Some of his dead victims also show female breast nudity. Rated R

Changing Lanes Ben Affleck and Samuel L. Jackson star in a story about escalating road rage. Gavin Bannek (Affleck), a junior partner in a high-priced New York law firm rushes to the court to file probate papers. Doyle Gibson (Jackson) rushes from an Alcoholics Anonymous meeting to court for a hearing to hopefully share custody of his sons. A sudden lane change throws the two cars together and Doyle’s car is damaged. Gavin offers a blank check and drives away, forgetting a dropped file. The accident makes Doyle late and he loses custody of his sons. But Gavin is also in a fix, because the forgotten file is vital to his case. Events escalate aseach action brings a new level of rage. Star power should bring in the crowds, but the battle of wills generates some interesting dynamics. In an allegorical twist, this confrontation takes place on Good Friday. Both men, although from different social strata, have similar ideals about moral behavior. But circumstances create an atmosphere of anger and hostility that drives them to act against their moral judgment. But after the events of Good Friday bring both men to the bottom of their moral well, the next day brings renewed hope that the future will be better. Unfortunately, the atmosphere of anger, frustration and fear generates more than a few obscenities and several profanities. Without the vulgarities, Changing Lanes would be a modern morality tale suitable for teens and adults. Rated R

Charlie’s Angels A popular television show in the 70’s, Charlie’s Angels featured three women, working as detectives for an unseen boss, who solved crimes with intelligence and their physical charms instead of guns and muscle. Drew Barrymore, Cameron Diaz and Lucy Liu star in this latest incarnation. John Forsythe provided the voice for the TV Angels’ boss, Charlie, and continues that role in the new movie. Bill Murray takes the role of Charlie’s liaison, Bosley. Hired to locate a kidnapped computer whiz, the angels discover that they’ve been used as pawns in a murderous plan. Filled with lots of action stunts and special effects, this could be an enjoyable outing for fans of Angels old and new. The Angels were equally noted for causing the term “jiggle TV,” as they rarely wore supporting undergarments. The tradition continues in the movie. Low cut blouses are a prominent feature which occasionally reveal almost too much. And promiscuous sex is implied as one Angel is seen in different men’s beds. While the new Angels don’t use guns, their martial arts skills are highlighted in numerous fights as they kick, hit and flip various bad guys, sometimes in slow motion. And although there’s no obscenities in the dialogue, a few strong profanities and a finger gesture are featured. Charlie’s Angels earns a less than heavenly moderately objectionable rating. Rated PG-13

Charlotte Gray Set during World War II, this historical drama finds Charlotte Gray (Cate Blanchett) joining the British Army’s Special Operations division. Since she speaks French fluently, they send her into France with messages to members of the French resistance. When she arrives, her mission goes sour as the French police apprehend her contact. Stuck in France for the foreseeable future, she connects with French nationals working for the resistance in her village. Their local leader, Julien (Billy Crudup), both helps her get settled and recruits her to help in some of their missions. Despite Charlotte's recruitment for speaking fluent French, it seems everyone except the Germans speak English. However, the film nicely shows the need for hope, as both Charlotte and the French people must keep hope alive that they will make it out of their situation. Not exactly Jane Bond, Charlotte takes part in some explosive missions and the film includes some moderate war violence. In some scenes, people are gunned down in cold blood but the wounds are not particularly graphic. One scene shows an unmarried couple in bed, implying a sexual relationship. Six obscenities are heard, along with a few regular profanities and moderate crudities. Skip this one altogether. Rated PG-13

Chasing Papi Papi (Eduardo Verastequi) is dating three women at the same time in this romantic comedy. Patricia (contemporary Christian music vocalist Jaci Velasquez), Lorena (Roselyn Sanchez) and Cici (Sofía Vergara). All of the girls think that they are Papi’s only love until all three come to visit at the same time wearing the sexy lingerie they were each given by Papi. They begin to fight for their charming, irresistible lover but then decide to get revenge. They end up on their own adventure after discovering that their luggage was switched and they now possess a large amount of money. Both the moral content and the entertainment value of this film are low, so you would be better off spending your time on something other than “Chasing Papi.” Rated PG

Chicago In this big screen version of the Broadway musical, two Chicago nightclub performers in the 1920s commit murder and end up in the Cook County Jail. When aspiring chorus girl Roxie Hart (Renee Zellweger) arrives in prison, she is excited to find one of her idols, nightclub entertainer Velma Kelly (Catherine Zeta-Jones), is also there. Corrupt prison matron Momma Morton (Queen Latifah) puts the women in contact with flamboyant defense attorney Billy Flynn (Richard Gere). The two vie for the affections of both the public and Flynn. The musical numbers — not as good as Broadway but commendably done — help relay the story, but they have suggestive dancing and lyrics. One positive is the realistic portrayal of the public’s preoccupation with greed, celebrity, and the fleeting nature of fame—but the film has a casual attitude toward adultery and sex. Rated PG-13

Chicken Run On the Tweedy Chicken Farm, the chickens produce eggs, eggs, and more eggs. If they don’t produce, they become next evening’s meal. This prompts Ginger (voice of Julia Sawalha) to lead several escape attempts with other disgruntled chickens. Rocky, the flying rooster (Mel Gibson), flies over the farm one night, but distracted, runs into the barn and falls injured into the coop. Ginger decides that when Rocky is healed, he can teach all of them to fly the coop and make their great escape. Chicken Run is a creative, unique story that’s full of laughs and action for all ages. The clay animation is superb as the characters move fluidly through each scene. A scene early in the film implies the death of a chicken for not producing enough eggs. After she’s taken into the chophouse, the other chickens and the audience see the shadow of a raised axe. The death implied by the sound of an axe hitting wood may disturb younger viewers. It’s fairly traumatic for the other chickens in the coop as well. Trying to avoid death, they do whatever it takes to escape the farm. One mild sexual innuendo occurs as Rocky asks where he’s going to sleep, and all of the hens invite him to sleep with them. Rated G

China The Panda Adventure Maria Bello undertakes the real-life adventures of Ruth Harkness, who travels to China in 1938 to collect the ashes of her husband after his death in the Min Valley. As she reads his journal about observing the mysterious and elusive giant panda bear, Ruth decides to complete his quest to bring a panda to America. With her husband’s interpreter, Quentin (Xia Yu), as a guide, she must contend, not only with river rapids, mountainous terrain and forests, but also with noted hunter Dakar Johnston (Xander Berkeley), her husband’s sometimes partner. Johnson doesn’t care about taking the panda alive. Although lacking in dramatic tension, the story is enjoyable as Ruth overcomes various obstacles along the way and eventually even wins over Johnson. The end credits include a pitch for the World Wildlife Foundation as it seeks to encourage protection of endangered species like the panda. An off-screen shooting of a panda may disturb very young children, but Chine: The Panda Adventure can be enjoyed by the whole family. Rated G

Chocolat Juliette Binoche, Johnny Depp, and Alfred Molina are the centerpieces of this semi-seet tale directed by Oscar winner Lasse Hallström. Set in a small French provencial town in 1950, Binoche plays Vianne, a free-spirited woman who arrives to set up a chocolate shoppe. Vianne has a knack for guessing each person's favorite type of chocolate and uses many unusual and unknown recipes for her exotic treats. But the sweet desserts seem to awaken carnal desires among the townspeople, so the town’s mayor, Comte de Reynaud (Alfred Molina), sees Vianne and her shop as a danger to the simple Christian faith of his people. He sees her leading the people into temptation, so he looks to shut down her business. While generally light and comedic, Chocolat turns out to have a serious message. Unfortunately, the serious message seems to trivialize the role of the church in the lives of the village residents as it encourages yielding to ‘harmless’ temptations. Making church rituals and morals look hokey and hypocritical, Chocolat takes its portrayal to an extreme that is clearly biased and takes every opportunity to undermine its moral authority in people’s lives. Surprising for a PG-13 film, at least one brief sex scene includes a glimpse of breast nudity. But Hallström's Cider House Rules also PG-13 featured nudity. Although tempting in its sweetness, Chocolat's message and sexual content earns a significantly objectional rating. Rated PG-13

Clockstoppers Paramount and Nickelodeon Movies team up for this action-packed, science-fiction adventure for youngsters, revolving around a wrist watch which can speed up the molecules in a person so that everything around them appears to be standing still. The watch accidentally falls into the hands of teenager Zak Gibbs (Jesse Bradford). Zak, along with his new girlfriend Francesca (Paula Garces), is having lots of fun playing pranks on friends using the watch’s new power called “hypertime.” But the fun ends when ruthless, power hungry Henry Gates (Michael Biehn) and his cohorts come after Zak and the watch. Clockstoppers has virtually no foul language, however, one of Zak’s friends makes some unnecessary suggestive remarks about nude girls and having sex. Refreshingly, Zak and Francesca do not become sexually involved. Although his father spends a lot of time at work, Zak’s parents are portrayed as loving and concerned about their son. And Zak risks his life to save his kidnapped dad. The action includes some intense car chases and crashes, fighting, and kicking but the violence is not excessively graphic. Rated PG

The Contender An all-star cast featuring Joan Allen, Jeff Bridges, Gary Oldman and Sam Elliot fills this tension-packed drama about the first woman nominated to the role of Vice President of the United States. Allen plays Laine Hanson, the highly respected liberal Democrat chosen by the President (Jeff Bridges) to replace his recently deceased Vice President. But first Laine must come under the microscopic scrutiny of the Judiciary Committee headed by ultra-conservative Senator Runyon, played by Oldman. By the time the congressional hearings begin, Laine's impeccable political record is all but obliterated by a scandalous photograph taken when she was a freshman in college. The ruthlessness of her opponents versus her refusal to respond in kind develops into a suspenseful, timely tale. The lines of "good" and "bad" are clearly drawn as conservatives like Runyon wear the black hats and liberals, the white hats. Senator Runyon's pro-life passion is presented as the rantings of a self-righteous fanatic, while Senator Hanson speaks eloquently of pro-choice rights. All the characters indulge in pretty raw language for a total of 50 obscenities includes 33 f-words, plus 15 regular profanities. An explicit sex photo flashed on-screen several times shows a young woman having sex at a fraternity party and includes breast nudity. The ugly side of politics, an unfair bias toward conservatives and anti-religion statements, along with unnecessary foul language, make The Contender a very objectionable choice. Rated R

Confessions of a Dangerous Mind This dark comedy is based on Chuck Barris’ hard-to-believe autobiography, in which he claims that his job as a raunchy television producer was a cover for his job as CIA hit man. CIA agent Jim Byrd (George Clooney) recruits Barris (Sam Rockwell) as an assassin. Once he’s trained. Barris begins to incorporate his killings into "The Dating Game" show, sending winning couples to locations like Berlin. A mole enters the picture, and Barris must come to grips with the possibility that he may be the next dead one. He vacillates between love interests Patricia (Julia Roberts) who is a spy and Penny (Drew Barrymore) who knows nothing of his secret life. The vulgar, sex-obsessed, selfish Chuck Barris is hardly big-screen material. The film treats his murder missions nonchalantly, presenting them as dark comedy. If you decide to see the film with its bad language, sexual content, violence and rear nudity, afterwards you may feel the need to offer up some confessions of your own. Rated R

Confidence Confidence is a contemporary crime drama with high action about con man Jake Vig (Edward Burns) and his cohorts who begin the movie by swindling thousands of dollars unknowingly from a mobster. Once their clued in, they go to the mob boss, King (Dustin Hoffman), to make amends and avoid being killed. Allow them a chance to get off the hook, King enlists them for a bigger job taking millions from a bank owner. Since the stakes are so high in this more elaborate sting, Jake recruits a pickpocket named Lily (Rachel Weisz). Although it looks like they won’t to pull off the scam, Jake and the gang prove to be smarter than they first appear. But federal agent Gunther Butan (Andy Garcia) is trailing Jake and the gang. Confidence is highly entertaining, but it cannot be recommended due to its morally offensive elements: an abundance of foul language, violence and sexual content. Rated R

The Core In this science fiction adventure, numerous unexplained electromagnetic phenomena begin to pique the interest of the political, military and scientific leaders of the world. Geophysicist Dr. Josh Keyes (Aaron Eckhart) begins to put the pieces together, discovering the horrible truth: The Earth’s core has stopped spinning, breaking down the protective electromagnetic field. The consequences are catastrophic, and earth’s inhabitants are given only months to live unless something can restart the core’s spinning. A team of scientists and astronauts, including Keyes, are assembled to command Virgil, a super-strong, worm-like tunneling vehicle equipped with several nuclear weapons. The film is a disappointment with little action. The only saving grace is its comparatively small measure of objectionable language; so, although it will bore you, at least it won’t offend you. Rated PG-13

Corky Romano Saturday Night Live comic Chris Kattan stars as Corky in this humorous mob movie as the 'white sheep' of 'Pops' Romano's (Peter Falk) crime family. When Pops is indicted by the FBI, he calls upon naive Corky, an assistant veterinarian, to steal the evidence from the FBI. But Corky has trouble working under pressure, Will infiltrating the FBI make him crack completely? Thanks to an over-eager false resume, the agency thinks Corky is a super-agent and assigns him to a special task force after a killer. As Corky stumbles through the investigations, which keep distracting him from stealing evidence, his unorthadox methods appear to work. When he finally gets the evidence, he’s shocked to learn the accusations against his father. But Corky surprises the FBI, his family and even himself as he uncovers some shocking secrets. One of Corky’s brothers comes to grips with homosexual tendencies, while two male FBI agents also seem to be more than work partners. Some fun is also had with Corky’s other brother being illiterate. Laughs are also drawn from drug abuse when Corky and a dog react to being dusted with cocaine from a broken bag. Along with suggestive comments, the dialogue is filled with vulgar language, including numerous obscenities and strong profanities. Bottom line: Skip this one altogether. Rated PG-13

The Count Of Monte Cristo Alexandre Dumas’ classic tale of betrayal and revenge returns to the big screen in this most recent adaptation about the hapless hero, Edmund Dantes (Jim Caviezel), who seems to have everything going for him. But betrayed by his envious friend Fernand (Guy Pearce), Edmund finds himself arrested for treason. And because of a magistrate’s political ambitions, Edmund is sent to disappear forever on an island prison. The Abbé Faria (Richard Harris), an imprisoned priest, befriends Edmund and spends their years together educating him in languages, math, science and swordsmanship. When an accident fatally injures the priest, he gives Edmund a map to fabulous wealth hidden on the island of Monte Cristo. The priest’s death also gives Edmund a way to escape, find the treasure and exact poetic revenge on those who robbed him of his life, his family and his love. Virtually free of coarse language, the film maintains the major elements and themes of Dumas’ story. An interesting twist focuses on Edmund’s rejection of God after his imprisonment, but later references show his return to belief. Although the story seems to focus on revenge, the priest tells Edmund that vengeance belongs to God and a sentence carved into Edmund’s cell states that God will give justice. Fernand is often shown drinking and references made to his later adulteries but neither is condoned. A few sword stabbings are graphic and some sexual references are slightly crude, but teens and older can enjoy this adventurous tale. Rated PG-13

Coyote Ugly Relative newcomer Piper Perabo plays Violet, a talented young songwriter, who moves from a small town in New Jersey to New York City hoping to peddle her songs to record producers. But she can't seem to get a break and has to pay the rent. She takes a job as a barmaid in a nightclub called Coyote Ugly, whose manager, Lil, played by Maria Bello, heads an all female staff. The free-wheeling atmosphere of the club encourages not only drinking, but dancing and singing on the bar by the staff. With her boyfriend’s constant prodding to sing for him and Lil’s support, Violet just might overcome her stage fright and get her songs heard. Already labeled a female version of 1988’s Cocktail with shades of Flashdance, the overwhelming advertising and attractive cast should make a few bucks for this movie made for a hormone-driven, male audience. Scantily clad women dancing, dousing themselves with water and alcohol, along with men groping them at every opportunity is what this movie’s about. Like the atmosphere in a “gentleman’s club,” the movie unabashedly and unapologetically arouses baser thoughts for men in the audience. Although no nudity or sex scenes occur in the film, dance and bar scenes have an extreme amount of sexually suggestive content. Rated PG-13

Cradle to the Grave In this action thriller, jewel thief Tony Fait (Earl "DMX" Simmons) and his team of slick burglars steal some black diamonds, a prize that everyone seems to want, including martial arts expert and Taiwanese government agent Su (Jet Li). Though Fait attempts to sell the stones through his pawn broker, Archie (Tom Arnold), those who want them attempt to take them by ruthless force, even kidnapping his beautiful young daughter Vanessa (Paige Hurd) and demanding the stones as a ransom. Fait is left with no choice but to join forces with Su in an attempt to uncover the mystery of the stones and to save his daughter. This loud, disjointed film was a two-hour excuse to see Jet Li and DMX get into the most absurd fight scenes possible, most of which did nothing to advance the story line. Any self-respecting person will avoid this film at all costs! Rated R

Crazy/Beautiful Kirsten Dunst plays Nicole, the 17-year-old, out-of-control daughter of a congressman in this Romeo and Juliet tale. Strained family relationships resulting from her mother's suicide have sent Nicole down a dark path of self-destructive behavior with alcohol and drugs. Jay Hernandez is Carlos, a model student, athlete and son who dreams of one day attending the U.S. Naval Academy. Each morning he takes the long bus ride from his Hispanic inner-city neighborhood to high school in an affluent suburb. To embarrass her father, Nicole takes up with poor Carlos. But as the relationship grows into romance, Nicole's past may detract from Carlos' future. This teen drama tries to tug at the heartstrings, but the characters give little reason to care about them. Drinking, doing drugs, having sex, and driving recklessly are depicted as normal teenage behavior. Despite his straight-laced, regimented lifestyle, Carlos makes poor moral decisions that are portrayed as romantic and responsible, such as insisting on using a condom before sex. Since political correctness does not necessarily equate with moral soundness, this film frequently strays into immoral areas. In addition to the highly objectionable message on "normal" teen behavior, the dialogue features a significant number of profanities, obscenities and various crude words throughout. For sex, language, partial nudity and drug use, Crazy Beautiful should be skipped altogether.Rated PG-13

The Crew Richard Dreyfuss, Burt Reynolds, Dan Hedaya and Seymour Cassel star as the Crew, four retired wise-guys in this comedy set in Miami Beach. Fearing eviction from their senior citizens residence hotel after the landlord raises the rent, the crew hatches a scheme to ensure their stay. The four makes it look like an unidentified corpse was killed in the hotel lobby. But things get crazier when the corpse turns out to be the missing father of a local drug lord. Comedy and chaos combine as each new caper gets an unexpected twist. With older actors playing their age, the film may not atract the younger crowds. While there seems to be an entertainment industry fascination with mobsters, the lifestyle depicted is usually filled with casual sexual relations, vulgar language, and severe violence. This film is no exception. Rated PG-13

Crocodile Dundee in Los Angeles Australia is enjoying a run of popularity from the Olympic games to Oscar winners. Returning to the 1986 role that seemingly created interest in all things Australian, Paul Hogan reintroduces his Outback hero, Mick 'Crocodile' Dundee, this time to the wild life of Los Angeles. It’s been 15 years since Mick met journalist Sue Charleton (Linda Kozlowski), daughter of a newspaper tychoon, and visited New York. Since then, they’ve lived Down Under and Mick guides tourists through the Outback when not chasing crocodiles with his pal, Jacko (Alec Wilson). But when Sue’s father offers her a temporary job in Los Angeles, Mick sees an opportunity to expand their son, Mikey’s (Serge Cockburn) education. And Sue discovers a movie studio that may be doing worse things than making bad pictures. The humorous clash of image conscious Tinseltown and Outback simplicity will bring a smile to audiences looking for old-fashion fun. While poking fun at the unreal world of movie making, the film also ties in messages about respecting nature and being honest with others. The dialogue includes some obscenities that detract from the otherwise enjoyable film but other than that, parents don’t have much cause for concern. Rated PG

Crossroads Former Disney Mouskateer and pop singing sensation Britney Spears makes her big screen debut in this coming-of-age, road trip movie. Three 10-year-old friends bury a box of future dreams and promise to dig it up when they graduate from high school. But when Lucy(Spears), Kit (Zoë Saldana) and Mimi (Taryn Manning) meet to dig up the box, the three discover their dreams still unfulfilled. However, Mimi plans to make her dream of seeing the world come true by traveling to a music audition in Hollywood. Kit joins the trip to visit her fiancé stuck in a California college for the summer. And Lucy reluctantly leaves her divorced dad (Dan Ackroyd) to find why her mother abandoned them when Lucy was three. Hitching a cross-country ride with Ben (Anson Mount), a musician with a rumored criminal past, the three discover that some dreams don’t come true, but true friends help you discover new dreams. Despite the PG-13 rating, girls of all ages who consider Britney a role model, will flock to this flick. Sadly, the film sends mixed and disappointing messages. Teased by Kit about being a virgin, Lucy goes to a graduation party planning to lose her virginity and wears skimpy bikini underwear in bed with a boy. But after reconsidering the reasons for having sex, decides she wants the first time to be ‘special.’ When the car breaks down, the girls take on a karaoke bar’s contest which features suggestive moves and teasing lyrics familiar to Spear’s fans. A hotel mini-bar in their room leads to underage drinking as the girls share stories about their sexual experience. Pregnant Mimi refrains from drinking but says it’s not for the sake of the baby, but that drinking led to her pregnancy. Despite Britney’s public comments about saving herself for marriage, her character is shown in bed with Ben, implying they’ve had premarital sex. Despite Britney’s wave of popularity, this is one pop star that should have thought twice about crossing over to the big screen. Rated PG-13

Curse Of The Jade Scorpion In this old-fashioned comedy set in 1940, CW Briggs (Woody Allen), a highly respected insurance investigator, feels threatened by efficiency expert, Betty Ann Fitzgerald (Helen Hunt). Sparks fly between insecure CW and cutthroat Betty Ann as they insult each other in a battle of wits. After he’s hypnotized by a jewel thief, CW finds himself in the dual role of chief investigator and prime suspect for a series of huge jewel thefts. CW refers to casual sexual liaisons and initially welcomes overtures from a beautiful heiress (Charlize Theron) who considers the middle-aged detective a real challenge when he rebuffs her. Meanwhile, Betty Ann has an affair with her married boss and, like other characters, drinks heavily and smokes. After drowning her sorrows over a failed love affair, she attempts suicide. Ultimately, however, good wins over evil. A few profanities, heavy drinking and a condoned adulterous affair mar The Curse. Rated PG

D

Daddy Day Care Charlie (Eddie Murphy), and Phil (Jeff Garlin), are two recently unemployed dads in desperate need of work and regaining their self-esteem. Charlie discovers, while spending his days at home with his son, Ben (Khamani Griffin), the apparent lack of competitive, high quality child-care in the area, and convinces Phil to join him in a “gold-mine” endeavor. The two inept dads start Daddy Day Care. This easy-going movie from Columbia Pictures is a cute, fun-filled family comedy. Apart from a few profanities and some bathroom humor, the film is comparatively clean and even has some positive messages. In the beginning of the movie Charlie is devoted to work and earning money while missing out on his child's life, but in the end he sacrifices a better paying job to spend time with his son and continue providing “Daddy Day Care.” Rated PG

Daredevil Another live-action comic book installment, Daredevil tells the story of Matt Murdock (Ben Affleck), who by day is an attorney but by night executes vigilante justice on the streets of Hell’s Kitchen. Blinded during his childhood, Murdock discovers that his remaining senses are more acute and that he also possesses a new, sonar-like sense. Armed with super-human skills and yearning to avenge his father’s murder, Murdock becomes the fearless, crime-fighting Daredevil. He falls in love with the seductive, tough and secretive Elektra (Jennifer Garner), who unknowingly leads him to a confrontation with the notorious crime boss Kingpin (Michael Clarke Duncan) and his hired killer Bullseye (Colin Farrell). Overall, Daredevil has a dark, chilly tone with little comic relief. Substantial violence, a brief sexual encounter and objectionable words. Rated PG-13

Dark Blue In this crime drama, LAPD detective Eldon Perry (Kurt Russell) is part of the Special Investigations Squad (SIS) run by Jack Van Metter (Brendan Gleeson), where the cops are no better than the criminals. That’s why Assistant Chief Holland (Ving Rhames) scrutinizes the SIS’ every move and is determined to bring them down. As Perry closes in on the suspects of a homicide case with his young partner Bobby Keough (Scott Speedman), the rookie gets his indoctrination into the underhanded dealings of the SIS. The case is further complicated by murder, cover-up, and illegal activities by law enforcement. Finally pushed over the edge, Perry decides to bring the issue public is his own way. Dark Blue is a better-than-average police drama revolving around police corruption. The film contains graphic, cold-blooded violence, and more than 80 occurrences of the F-word, making it a dark, unacceptable choice. Rated R

Death To Smoochy Robin Williams and Ed Norton star in this dark comedy about dirty politics in the world of children’s television. Williams plays children’s show star Rainbow Randolph who gets caught taking bribes to put some children ahead of others on his show. When Randolph falls in disgrace, KidNet television wants a new star who’s ethical and “squeaky clean.” Norton plays Sheldon Mopes, whose pink rhinoceros character, Smoochy, seems to be the only choice left with any moral principles. But Randolph sees Smoochy taking his place and plots a scandal, so Randolph can return to his former glory. In this satire, even charitable agencies are mob-controlled and extortion used to make deals. When Sheldon won’t play the game, his agent, a former network exec, and the charity mob are a bigger problem than Randolph. But Smoochy has made a few friends along the way. Made for the anti-Barney crowd, the film has humorous moments, but William’s character frequently spouts obscenities and one scene has him run through a gamut of slang expressions for genitals. But Smoochy also reminds us of the positive things children learn from characters like Captain Kangaroo or shows like "Sesame Street." Sheldon even makes positive comments about Jesus focusing on his work rather than the perks. Without the frequent vulgarities, Smoochy could have attracted a larger crowd. Rated R

Deliver Us From Eva In this romantic comedy, domineering Eva Dandridge (Gabrielle Union) constantly intrudes into the lives of her three sisters (Essence Atkins, Robinne Lee and Meagan Good) and wreaks havoc on the men in their lives (Mel Jackson, Dartanyan Edmonds and Duane Martin). Weary of Eva’s involvement, the three men hire smooth-talking ladies man Ray Adams (LL Cool J) for $5,000 to romance Eva, then to drop her cold so she’ll move away and out of their lives. As Ray finally breaks through Eva’s cold exterior, he falls in love with her and doesn’t want to go through with the plan, much to the chagrin of his friends. Ray then begins to pursue Eva honestly, following her out of town to try and win her back after she hears the truth. Sexually suggestive dialogue, along with numerous instances of objectionable language, earn this one an unacceptable rating. Rated R

Die Another Day True to James-Bond form, Die Another Day is destined to be a crowd-pleaser with its magnificent explosions, harrowing hand-to-hand combat, intrigue and romance. While attempting to thwart a plot to trade illegal African diamonds for arms, British super-spy James Bond (Pierce Brosnan) is captured by North Koreans and tortured for several months before being traded for one of their henchmen, Zao (Rick Yune). Bond begins a vigilante trek around the world to clear his name, unmask the real traitor, and uncover an obscure connection between the Koreans and a billionaire diamond tycoon (Toby Stephens). With a little help along the way from two beauties, Jinx (Halle Berry) and Miranda Frost (Rosamund Pike), Bond unearths a sinister plot as he journeys from the tropical climes of Cuba to the villain’s frozen palace in Iceland. Along with other Bond films, it’s heavy with sexual innuendo and some steamy scenes. But despite its flaws, it delivers everything that the name "James Bond" and its 40-year tradition promise. Rated PG-13

Digimon: The Movie Parents can expect a lot of interest from pre-teens about this film, since the Digimon, or digital monsters, TV series is the most popular among 2- to 11-year-old audiences. For the uninitiated, seven children, mysteriously transported into a digital world, are befriended by small digital creatures known as Digimon. In the digital world, the children, along with their Digimon friends, try to restore order in the digital world by conquering corrupt monsters. In this new movie, a powerful new Digimon hatches and starts to consume data on the Internet. In the process, it takes over worldwide communications and even prepares to launch missiles from the U.S. to Japan. Only the youngsters and their good Digimon can prevent the disaster. Colorful, animated battles and explosions are incredibly frantic and loud as they permeate the story’s non-stop action. The Digimon are fantasy creatures with enormous strength and superhuman powers, but not occultic. A clear distinction is made between good and evil monsters, with the good triumphant in the end. Cooperation and team work is also emphasized as the children risk their lives to save the world. But the incessant, overpowering use of violent battles, explosions and property destruction is a prime example of entertainment that begins desensitizing children to excessive violence at a young age. Disappointing as it may be to young audiences, Digimon: The Movie earns a moderately objectionable rating. Rated PG

Dinosaur Dellla Reese of TV's Touched By An Angel and Julianna Marguilles of ER are among the voices lending their talent to this spectacular new feature from Disney. D.B. Sweeney if the voice of Aladar, a plant-eating iguanadon raised from birth by a clan of lemurs after his egg hatches on their island. When a terrible meteor shower forces the lemurs and Aladar from their island home, they soon meet with a herd of dinosaurs on the mainland traveling to their nesting grounds. Kron, voiced by Samuel E. Wright, the heavy-handed herd leader regularly runs the herd so hard that many fall behind, only to be left for the dangerous, meat-eating carnotaurs that follow. Aladar befriends some of these slower, older dinosaurs, and in the process makes himself an enemy of Kron. And Aladar’s affection for Kron’s sister, Neera, voiced by Marguilles, only serves to further inflame Kron’s anger. Aladar and his friends face many exciting challenges, as well as Kron, as they seek the nesting grounds. By mixing animated dinosaurs with real-life, digitally-filmed landscapes,the film provides a visually spectacular event which surpasses all expectations. Although the film focuses on dinosaurs, evolution theories are not presented. Aladar's lack of selfishness, emphasis on working together and persevering through trials presents a fine example for all people, young and old. There are several scary and violent scenes, which is the main reason for the PG rating. A large meat-eating dinosaur pounces on a smaller dinosaur and rips it to pieces. The menacing carnotaurs also occasionally catch an unlucky dinosaur. These scenes may prove too intense for younger viewers. However, Dinosaur earns an acceptable and recommendable rating for ages 8 and up. Rated PG

The Dish In 1969, Neil Armstrong made his historic one small step onto the moon. And the world watched on television, thanks to the efforts of a small group of dedicated technicians in the small town of Parkes in Australia. At least, that's the way this story goes. Sam Neill plays Cliff who supervises operations at a satellite antenna station in Parkes. To be sure the historic occasion can be captured for posterity, NASA wants to use Australian's satellite antenna to relay the signal from the moon. So they send the no-nonsense Al Burnett,played by Patrick Warburton, to work with Cliff to be sure things run smoothly. But his by-the-book management clashes with the easy-going attitude in Parkes. Mitch and Glen, the two dish technicians played by Kevin Harrington and Tom Long, have their own way of dealing with problems and provide lots of laughs as they try to to make the lunar connection. The Dish is smartly written with laughs throughout. For those who catch it, THE DISH could be a humorous trip Small town life in Australia seems much like it was presented in 1950 & 60’s sitcoms in the states, plenty of conservative people who care about church and family. And while the movie is certainly a comedy, more serious messages, like trusting others, consistently shine through. However, due to some gratuitous foul alnguage and a number of obscenities, the dialogue is questionnable at best.Rated PG-13

Divine Secrets Of The Ya-Ya Sisterhood Sandra Bullock stars as budding playwright Siddalee Walker in this story that spans sixty years. Sidda tells a reporter about her eccentric Southern mother, Vivi Abbott Walker (Ellen Burstyn), who inspires her writings. However, Vivi’s life-long friends decide it’s time to let Sidda learn the truth about Vivi. Led by Caro (Maggie Smith), Teensy (Fionnula Flanagan) and Necie (Shirley Knight) kidnap Sidda and reveal the reasons behind events Sidda saw through a child’s eyes. Meanwhile Connor (Angus MacFadyen), Sidda’s level-head fiancé of seven years, meets Vivi for the first time and discovers why Sidda acts the way she does. Ashley Judd plays the younger Vivi in flashback scenes. Mothers and daughters will particularly enjoy this tale of friendship, estrangement, reconciliation, and love. Ya-Ya, a colloquial expression for talk, is something these aging Southern belles do frequently. The wry comments are often humorous, but the dialogue is also laced with numerous obscenities, crude terms and God’s name used in vain. Violence is limited, but some will cringe when Vivi takes a belt to her children. Connor and Sidda live together and in one flashback, the four friends take a topless drive on a hot night, but no explicit nudity is shown. Despite the positive messages about friendship and reconciliation, Divine Secrets of the Ya-Ya Sisterhood fails to deliver. Rated PG-13

Dogtown and Z-boys This documentary explores the beginnings of today's extreme skateboarding. Dogtown is the local name for the slums of Los Angeles. Noted surf board designer Jeff Ho opened the Zephyr surfboard shop and formed local teens into the Zephyr Surf team or Z-boys. In the '60s, the 'sidewalk surfboard' became an alternative to surfing. The Z-Boys looked for better ways to do the same radical tricks on skateboards that they had seen professional surfers do in the water. Prompted by the 70’s drought, empty pools became ideal and the Z-Boys went on to win fame, but it also split the team up as different companies sought talent to endorse their products. Now, the Z-boys are largely forgotten as the innovators of extreme skateboarding. Although the film was produced and directed by a former Z-Boy, the subject matter limits the audience to those interested in the sport. Interspersed with interviews of former teammates, the film seems episodic and disjointed. Comments include a number of obscenities, including some that are bleeped or the sound cut. Although one of the members is in prison on drug related charges, the team's days are highlighteded with photos of smoking marijuana and drinking alcohol as part of their lifestyle. The idea of trespassing to access people's dry pools and the subsequent damage to the pools by the skateboards is seen as a youthful challenge rather than a criminal act. Between the obscene comments and the presentation of law-breaking as acceptable behavior, Dogtwon & Z-boys wipes out. Rated PG-13

Down With Love This romantic comedy has the look and feel of an early 1960s film. Feminist author Barbara Novak (Renee Zellweger) produces a new book for women called Down with Love. In it she teaches women how to be “more like men”—focused on career, empowerment and sex. Her book espouses the view that women excel in the workplace by accepting the so-called fact that love is to be ignored and casual sex is to be embraced. Debonair Catcher Block (Ewan McGregor) is a womanizing playboy publicist who stands for everything that Barbara is against, and he is determined to get her to fall in love with him. In this case, opposites attract but not without some interesting twists and turns. While this movie brings the nostalgia of movies from a bygone era, it definitely carries with it the poor moral values of contemporary Hollywood. Rated PG-13

Dr. DoLittle 2 Eddie Murphy returns to his role as Dr. John Dolittle, the now famous physician whose patients are both man and animal. Because Dr. Dolittle understands and speaks their language, the animals turn to him for help in stopping the destruction of their forest by unscrupulous land developers. While spending their vacation in the woods, the Dolittles move to a forest cabin to save the animal habitat. The plan hinges on getting Ava, a forest dwelling endangered Pacific Western bear voiced by Lisa Kudrow, to mate with Archie, voiced by Steve Zahn. Although Archie’s a Pacific Western bear, he’s been raised in the circus as a performer. So the Doctor has his work cut out to not only introduce Archie to Ava, but also teach Archie how to act like a bear and survive in the wild. While bringing Archie and Ava together, Dolittle also works to keep 16-year-old Charisse away from her pizza-delivery boyfriend. Humorous comments and scenes abound as animals, wild and domestic, organize a strike until Archie and Ava have a chance for romance. Questionnable humor includes dogs marking territory and bears on the toilet and a few characters also let crude terms slip. But Dr. Dolittle also realizes that communication with family is as important as talking to the animals. While older teens will be less enthusiastic, Dr. DoLittle 2 will provide laughs for youngsters ages eight and up.Rated PG

Dr. Seuss’ The Grinch The inventive, although sometimes wacky, rhymes of Dr Seuss in such favorites as 'The Cat in the Hat,' 'Green Eggs and Ham,' and 'Horton Hatches an Egg' are cherished memories for almost everyone. But during the holiday season, thoughts turn to the tale of The Grinch that stole Christmas, whose heart was two sizes too small. Creating a live version of the Grinch, which would earn the blessing of Dr Seuss’ estate and compliment the 1966 animated television version now seen annually, fell to talented actor Jim Carrey and director Ron Howard. In the fantasy world of Whoville, all the Whos are busily shopping, stringing up bigger and better light shows, and getting ready for the big Who-balation celebration of Christmas. But all the commotion makes little Cindy Lou Who, played by Taylor Momsen, wonder if there isn’t something more to Christmas. And why the reclusive Grinch on Mount Crumpit isn’t enjoying Christmas with the other Whos. Reminded of a long ago humiliation, the Grinch plans his revenge on the happy Whos. No doubt, this Grinch will become a classic in its own right. But there are a few questionable scenes such as the Grinch holding mistletoe over his posterior and telling the Whos to kiss it as an insult. It’s also implied that a man kisses a dog’s rear. Several scenes use slapstick-type violence, but the message that Christmas doesn’t come from a store makes the Grinch a family winner. Rated PG

Dr. T & The Women Richard Gere, Helen Hunt and Farrah Fawcett star in director Robert Altman's controversial satire about men and women's relationships. Gere plays Dr. T who has wealthy Dallas socialites flocking to his waiting room to compete for the handsome, understanding gynecologist's undivided attention. Dr. T believes all women are saints, including his self-absorbed patients, his wife Kate, played by Fawcett, and even sister-in-law Peggy (Laura Dern), an alcoholic mother of three. But too much love from Dr. T sends Kate to the psychiatric hospital. While Kate's in the hospital, Dr. T meets Bree, played by Hunt, a straight-forward, independent woman of the 21st century and golf pro at the country club. Unlike the other women in Dr. T's life, Bree want to give attention rather than get. This disjointed, irritating and unbelievably silly spoof portrays women as either air-heads or cold and deceitful. But the stars and Altman's name will attract some attention. Dr. T's patience with his patients extends to allowing one to sip a cocktail and smoke while he examines her. Although Dr. T maintains a professional attitude, women looking forward to pelvic exams turns parody into fantasy. The exam scenes include breast nudity and brief full frontal nudity is seen as Kate dances in a shopping mall fountain. But the most controversial scene shows a doctor’s view of the complete birth of a baby. Women in particular should find Dr. T. & The Women’s portrayal of women disrespectful and offensive. Rated R

Dragonfly Kevin Costner stars as ER doctor Joe Darrow in Chicago, whose pediatric oncologist wife Emily (Susanna Thompson)dies on a mission trip in Venezuela. But some of her patients, who experience comas and near death events, indicate Emily still wants Joe to know something. Keeping a promise to visit Emily’s young cancer patients, Joe discovers one boy who frequently has cardiac seizures that take him to the edge of death, who tells Joe about a message from Emily. Joe searches desperately for the meaning of the cryptic wiggly cross, the young patient says Emily showed him. Eventually, Joe must return to the jungles of Venezuela to discover the answers he seeks. This tense, thought-provoking drama seems marketed as a ghost story, but audiences will find it to be much more. Joe’s experiences with Emily’s NDE patients disturb his atheistic concepts when they talk about meeting Emily after her death. Sister Madeline (Linda Hunt) puts the concept of after-life and belief into language Joe can consider. The ghostly encounters are presented in context of NDEs or possible tricks of a grieving mind, rather than occultic events. Some brief, native nudity occurs in scenes with a Venezuelan Indian tribe. Although the dialogue contains several crude terms, older teens and adults will find Dragonfly’s themes of belief in afterlife, faith and trust providing new avenues of discussion. Rated PG-13

Driven Sylvester Stallone plays a car racing veteran hired by Burt Reynolds to give pointers to a young driver played by Kip Pardue. Carl Henry (Reynolds), a race team owner, hires Joe Tanto (Stallone), a winning racer with a troubled past, to help talented rookie driver Jimmy Bly (Pardue). Jimmy's major opponent is Beau Brandenburg (Til Schweiger), who uses his girlfriend to distract Jimmy's focus. Gina Gershon plays Joe's ex-wife Cathy who's now married to racer Memo Moreno (Cristian De LaFuente), but still seems to carry a torch for Joe. However, when Joe gets friendly with journalist Luc Jones (Stacy Edwards), Cathy encourages Memo to beat Joe's protege' Jimmy at all costs. Slow motion crashes and driver's-eye views of the race may attract race fans but others will wonder how Stallone got financing for this soap opera on wheels. This is basically a two-part movie, one half “driven” and the other, drivel. Off-track interactions between these one-dimensional characters give the audience little to do but snicker at supposedly serious moments. And Joe’s counseling of Jimmy never develops past a few Rocky/Ramboesque mumbled words. To its credit, few obscenities are heard, but strong profanity, some sexually suggestive dialogue and ample displays of scantily clad females further cheapen the ride and earn a "quite objectionable" rating. Rated PG-13

Drumline Drumline is a fun comedy about Devon Miles (Nick Cannon), a hip-hop, street drummer from Harlem who goes to a Southern college on a marching band scholarship. Accustomed to getting by on pure ability, the talented freshman comes into conflict with Dr. Lee (Orlando Jones), the band director who requires team players. The tension intensifies when Devon is found to have lied on his college application and the college president threatens to fire Dr. Lee. The band must pull together as they prepare for the final band competition. Drumline is full of energy and interesting relationships. The choreography of the marching band and the musical scenes are superb. The portrayal of life in a university band program is original, educational and compelling. Violence is kept to a minimum, but the film is unfortunately filled with inappropriate language. Drumline would otherwise be an inspiring movie to be recommended. Rated PG-13

Dude, Where’s My Car Ashton Kutcher (Kelso on FOX TV's That 70's Show) plays Jesse and Sea